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Artworks

214 records · Ink and graphite

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Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Guercino, Italian

Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615

Art Institute of Chicago

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615

Art Institute of Chicago

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Imitator of Guercino

Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615

Art Institute of Chicago

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Giovanni Francesco Barbieri (called Guercino), Italian

Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615

Art Institute of Chicago

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)

Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615

Art Institute of Chicago

Illustration to Scene from the Liberation of Jerusalem (Gerusalemme Liberata)

Illustration to Scene from the Liberation of Jerusalem (Gerusalemme Liberata)

Bernardo Castello

Pen and black ink and graphite, with brush and brown wash, on tan laid paper, tipped on to cream laid paper · 1585

Art Institute of Chicago

Study of Eleven Heads

Study of Eleven Heads

Jacques de Gheyn, II

Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite · 1575

The Metropolitan Museum of Art

Nativity (recto); Virgin and Child, Angel (verso)

Nativity (recto); Virgin and Child, Angel (verso)

Filippo Bellini

Pen and brown ink and graphite (recto), and graphie (verso), on ivory laid paper · 1570

Art Institute of Chicago

Mythological Pageant (recto); Illegible Inscriptions and Anatomical Studies of Head (verso)

Mythological Pageant (recto); Illegible Inscriptions and Anatomical Studies of Head (verso)

Pen and brown ink over charcoal, on ivory laid paper (recto), and pen and black ink and graphite (verso) laid down on cream laid paper · 1528

Art Institute of Chicago

[title not known]

[title not known]

Watercolour, ink and graphite on paper

[title not known]

[title not known]

Watercolour, ink and graphite on paper

Shore Scene with Shipping. Verso: Hilly Landscape

Shore Scene with Shipping. Verso: Hilly Landscape

Thomas Stothard

Watercolour, ink and graphite on paper. Verso: graphite on paper

The Agony in the Garden, ?after Raphael. Verso: Sketch of a Girl Extending her Hand to a Man

The Agony in the Garden, ?after Raphael. Verso: Sketch of a Girl Extending her Hand to a Man

Thomas Stothard

Ink and graphite on paper. Verso: ink on paper

Designs for an Illustration to ‘Rob Roy’: Preliminary Sketches. Verso: Sketches for the Same Subject

Designs for an Illustration to ‘Rob Roy’: Preliminary Sketches. Verso: Sketches for the Same Subject

Thomas Stothard

Ink and graphite on paper. Verso: ink and graphite on paper

Stables at the Old Priory, Dover

Stables at the Old Priory, Dover

William Henry Hunt

Watercolour, ink and graphite on paper

Design for Badge for Gillum’s Homes

Design for Badge for Gillum’s Homes

Ford Madox Brown

Ink and graphite on paper

Study of a Group of Goats

Study of a Group of Goats

Pen and ink and graphite on paper

A Horse and Two Cows near a Farm Building

A Horse and Two Cows near a Farm Building

Pen and ink and graphite on paper

Composition Study of Cows in a Stream with Wooded Banks

Composition Study of Cows in a Stream with Wooded Banks

Ink wash, pen and ink and graphite on paper

Sammet House, Highland Park, Illinois, Floor Plan with Furniture

Sammet House, Highland Park, Illinois, Floor Plan with Furniture

A. James Speyer

Ink and graphite on tracing paper

Art Institute of Chicago

Joe Price Studio, Bartlesville, Oklahoma, South Framing Elevation East Side of Studio

Joe Price Studio, Bartlesville, Oklahoma, South Framing Elevation East Side of Studio

Ink and graphite on tracing paper

Art Institute of Chicago

Skandia Cinema, Stockholm, Sweden, Perspective of staircase

Skandia Cinema, Stockholm, Sweden, Perspective of staircase

Erik Gunnar Asplund

Ink and graphite on tracing paper mounted on board

Museum of Modern Art