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Artworks

214 records · Ink and graphite
Round Room Bank
Round Room Bank
Augustus Charles Pugin
Pen and brown ink and graphite, on cream wove paper · 1807
Art Institute of Chicago
[title not known]
[title not known]
Thomas Stothard
Ink and graphite on paper · 1806
Tate
Study for ‘Don Quixote’: Sancho’s Supper. Verso: Studies for the Fairy Queen
Study for ‘Don Quixote’: Sancho’s Supper. Verso: Studies for the Fairy Queen
Thomas Stothard
Ink and graphite on paper. Verso: ink on paper · 1801
Tate
Studies for Christopher Columbus
Studies for Christopher Columbus
Eugene Delacroix
pen and brown ink and graphite · 1798
National Gallery of Art
Satirical Sketches
Satirical Sketches
George Cruikshank
pen and brown ink and graphite · 1792
National Gallery of Art
John Howard Visiting a Lazaretto
John Howard Visiting a Lazaretto
George Romney
Ink and graphite on paper · 1791
Tate
Changing Horses at a Post House in France
Changing Horses at a Post House in France
Thomas Rowlandson
watercolor over black ink and graphite on wove paper · 1790
National Gallery of Art
Three Laborers
Three Laborers
William Henry Pyne
Pen and brown-black ink and graphite on cream wove paper · 1789
Art Institute of Chicago
Two Laborers
Two Laborers
William Henry Pyne
Pen and black ink and graphite on cream wove paper · 1789
Art Institute of Chicago
Three Laborers
Three Laborers
William Henry Pyne
Pen and brown-black ink and graphite on cream wove paper · 1789
Art Institute of Chicago
Album of Drawings for Dante's "Divine Comedy"
Album of Drawings for Dante's "Divine Comedy"
John Flaxman
bound volume with 78 drawings in pen and ink and graphite · 1788
National Gallery of Art
Battle of Lapiths and Centaurs
Battle of Lapiths and Centaurs
Joshua Cristall
Pen and brown ink and graphite on cream wove paper · 1787
Art Institute of Chicago
Study for ‘Don Quixote’: Don Quixote and Sancho Riding, and Other Figures
Study for ‘Don Quixote’: Don Quixote and Sancho Riding, and Other Figures
Thomas Stothard
Ink and graphite on paper · 1782
Tate
Young Gentlemen in Conversation
Young Gentlemen in Conversation
John Jackson
pen and brown ink and graphite on wove paper · 1778
National Gallery of Art
A Bench of Artists
A Bench of Artists
Thomas Rowlandson
Ink and graphite on paper · 1776
Tate
Scene at Liverpool
Scene at Liverpool
Mather Brown
Pen and iron-gall ink and graphite on buff-colored laid paper · 1761
The Metropolitan Museum of Art
Scene from "Don Quixote"
Scene from "Don Quixote"
Mather Brown
Pen and iron-gall ink and graphite on off-white wove paper · 1761
The Metropolitan Museum of Art
Sheet of Studies
Sheet of Studies
Thomas Stothard
pen and brown ink and graphite on wove paper · 1755
National Gallery of Art
Four Seated Figures
Four Seated Figures
John Flaxman
pen and black ink and graphite on laid paper · 1755
National Gallery of Art
Title Page
Title Page
François de Cuvilliés the younger, German
ornament, print — black ink and graphite on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Angelica and Medoro
Angelica and Medoro
Giovanni Battista Cipriani
pen and black ink with brown and gray wash over graphite on laid paper; verso, design of four concentric circles surrounding laurel wreath drawn on verso in pen and black ink and graphite · 1727
National Gallery of Art
Figure Studies [verso]
Figure Studies [verso]
Giovanni Battista Cipriani
pen and black ink and graphite on laid paper · 1727
National Gallery of Art
Literary Illustration with Gentleman and Two Ladies in Interior
Literary Illustration with Gentleman and Two Ladies in Interior
Gravelot
Pen and brown ink and graphite, over red chalk, on buff laid paper, laid down on ivory laid paper · 1719
Art Institute of Chicago
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Giovanni Francesco Barbieri (called Guercino)
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago
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