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Artworks
Untitled (plate 4) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Stephen Durkee
Photogravure from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1963
Museum of Modern Art
Untitled (plate 19) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Watts
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 12) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Boris Lurie
Etching and drypoint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Corner Brace (plate 3) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Jim Dine
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 15) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
George Segal
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Cooking Pot (plate 18) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Andy Warhol
Relief halftone from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 8) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Red Grooms
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Orpheum Sign (plate 13) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Claes Oldenburg
Etching and aquatint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
On (plate 11) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Roy Lichtenstein
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
James Rosenquist
Photograuvre and etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
American Madonna (plate 2) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Allan D'Arcangelo
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 7) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Sam Goodman
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1961
Museum of Modern Art
Untitled
Mario Schifano
Red and white enamel paint on a torn halftone in black on white wove paper, with brush and opaque gray watercolor wash on ivory wove paper · 1960
Art Institute of Chicago
Female Love (The Couple) (unbound variant frontispiece) from Dons des Féminines,
Pablo Picasso
Drypoint variant from an illustrated book with 27 relief halftone reproductions after photomontages by Valentine Penrose and 1 drypoint with 2 supplementary variants by Pablo Picasso · 1951
Museum of Modern Art
Dons des Féminines
Valentine Penrose
Illustrated book with 27 relief halftone reproductions after photomontages by Valentine Penrose and 1 drypoint with 2 supplementary variants by Pablo Picasso · 1951
Museum of Modern Art
Female Love (The Couple) (unbound frontispiece) from the illustrated book Dons des Féminines
Pablo Picasso
Drypoint from an illustrated book with 27 relief halftone reproductions after photomontages by Valentine Penrose and 1 drypoint with 2 supplementary variants by Pablo Picasso · 1951
Museum of Modern Art
Female Love (The Couple) (unbound variant frontispiece; proof from cancelled plate) from the illustrated book Dons des Féminines
Pablo Picasso
Drypoint variant from an illustrated book with 27 relief halftone reproductions after photomontages by Valentine Penrose and 1 drypoint with 2 supplementary variants by Pablo Picasso · 1951
Museum of Modern Art
Greetings: Laughing Monster
Louise Bourgeois
Relief halftone · 1946
Museum of Modern Art
Greetings: Laughing Monster
Louise Bourgeois
Relief halftone · 1946
Museum of Modern Art
Greetings: Laughing Monster
Louise Bourgeois
Relief halftone · 1946
Museum of Modern Art
Greetings: Laughing Monster
Louise Bourgeois
Relief halftone · 1946
Museum of Modern Art
Chester William Nimitz
John Philip Falter
Color photolithographic poster with halftone · 1944
National Portrait Gallery
Dorie Miller
David Stone Martin
Color photolithographic poster with halftone · 1943
National Portrait Gallery
Variant of Two Women (1st supplementary suite, plate 14) from the illustrated book La Chèvre-Feuille
Pablo Picasso
Etching over relief halftone reproduction after drawing, relief printed · 1943
Museum of Modern Art