Database / Artworks
Artworks
Invitation for anniversary of Underneath the Arches
George Passmore
Lithograph with relief halftone and watercolor additions · 1969
Museum of Modern Art
RIP - II
Michael Rothenstein
Linocut, woodcut, halftone block and line block on paper · 1968
Tate
Packed Tower - Spoleto
Christo
Matboard box, halftone prints · 1968
Art Institute of Chicago
Plate (folio 12) from Viet Nam!
Antonio Frasconi
Woodcut from an illustrated book with thirteen woodcuts and seven relief halftones · 1967
Museum of Modern Art
Study for cover of Beloe-chernoe (White and Black)
Varvara Rodchenko
Relief halftone with embossing and ink additions · 1965
Museum of Modern Art
Untitled (plate 16) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Richard Stankiewicz
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1964
Museum of Modern Art
Untitled (plate 6) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Stanley Fisher
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1964
Museum of Modern Art
Untitled (plate 20) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Whitman
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1964
Museum of Modern Art
Untitled (plate 1) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
George Brecht
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1964
Museum of Modern Art
Untitled (plate 10) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Allan Kaprow
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1964
Museum of Modern Art
Untitled (plate 5) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Lette Eisenhauer
Etching with pencil additions from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1964
Museum of Modern Art
Foot Medication
Roy Lichtenstein
Photolithographic halftone in black on cream wove paper · 1963
Art Institute of Chicago
Err (plate 9) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Indiana
Photogravure and etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1963
Museum of Modern Art
Untitled (plate 17) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Wayne Thiebaud
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1963
Museum of Modern Art
Untitled (plate 4) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Stephen Durkee
Photogravure from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1963
Museum of Modern Art
On (plate 11) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Roy Lichtenstein
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 12) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Boris Lurie
Etching and drypoint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
James Rosenquist
Photograuvre and etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 19) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Watts
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
American Madonna (plate 2) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Allan D'Arcangelo
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Corner Brace (plate 3) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Jim Dine
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 15) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
George Segal
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Orpheum Sign (plate 13) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Claes Oldenburg
Etching and aquatint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 8) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Red Grooms
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art