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Artworks

13 records · Gum tempera, ink, and gold on paper
Prince and ascetics, from the Late Shah Jahan Album
Prince and ascetics, from the Late Shah Jahan Album
Govardhan
Gum tempera, ink, and gold on paper · 1625
Cleveland Museum of Art
Prince and ascetics, from the Late Shah Jahan Album
Prince and ascetics, from the Late Shah Jahan Album
Govardhan
Gum tempera, ink, and gold on paper · 1625
Cleveland Museum of Art
A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
Yusuf
Gum tempera, ink, and gold on paper · 1616
Cleveland Museum of Art
The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Payag
Gum tempera, ink, and gold on paper · 1602
Cleveland Museum of Art
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword
Govardhan
gum tempera, ink, and gold on paper, text on verso · 1600
Cleveland Museum of Art
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword
Govardhan
gum tempera, ink, and gold on paper, text on verso · 1600
Cleveland Museum of Art
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
Basawan
gum tempera, ink, and gold on paper · 1555
Cleveland Museum of Art
Portrait of a kneeling holy man, from the Prince Salim Album
Portrait of a kneeling holy man, from the Prince Salim Album
Iran
Gum tempera, ink, and gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs · 1555
Cleveland Museum of Art
Portrait of a kneeling holy man, from the Prince Salim Album
Portrait of a kneeling holy man, from the Prince Salim Album
India
Gum tempera, ink, and gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs · 1555
Cleveland Museum of Art
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
India
gum tempera, ink, and gold on paper · 1555
Cleveland Museum of Art
Portrait of a kneeling holy man, from the Prince Salim Album
Portrait of a kneeling holy man, from the Prince Salim Album
Ali
Gum tempera, ink, and gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs · 1555
Cleveland Museum of Art
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
Ali
gum tempera, ink, and gold on paper · 1555
Cleveland Museum of Art
The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night
The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Ali
gum tempera, ink, and gold on paper · 1555
Cleveland Museum of Art