Database / Artworks
Artworks
Female Nude on a Couch
Philip Pearlstein
Graphite on off-white laid paper · 1968
Art Institute of Chicago
Studies of Flag Pole and Profile of a Man
Jack Levine
Graphite on off-white laid paper · 1953
Art Institute of Chicago
Screaming Head
Julio González
Pen and black ink, with brush and gray wash, over graphite on off-white laid paper · 1940
Art Institute of Chicago
The Wharf, Audierne
Albert Marquet
Watercolor, with graphite on off-white laid paper, laid down on ivory wove paper · 1928
Art Institute of Chicago
Drapery Study for Figure of Peace in "The Beneficence of the Law," Mural at Essex County Court House, Newark, New Jersey
Kenyon Cox, American
mural designs, drawing — graphite on off-white laid paper · 1906
Cooper Hewitt, Smithsonian Design Museum
Drapery Study for Figure of Peace in "The Beneficence of the Law," Mural at Essex County Court House, Newark, New Jersey
Kenyon Cox, American
Graphite on off-white laid paper · 1906
Cooper Hewitt, Smithsonian Design Museum
Science Instructing Industry: Nude Study
Kenyon Cox
Graphite on off-white laid paper mounted on secondary support of Egyptian linen · 1898
The Metropolitan Museum of Art
Science Instructing Industry: Drapery Study
Kenyon Cox
Graphite on off-white laid paper mounted on secondary support of Egyptian linen · 1898
The Metropolitan Museum of Art
Study for "Equity" in "The Common Law" Frieze for "The Reign of Law" Mural at New York Appellate Division Courthouse
Kenyon Cox, American
Graphite on off-white laid paper · 1898
Cooper Hewitt, Smithsonian Design Museum
The Telephone and the Ticker, Study for "Electricity as Applied to Commerce," Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL
J. Carroll Beckwith, American
Black chalk, graphite on off-white laid paper · 1892
Cooper Hewitt, Smithsonian Design Museum
Study for Ceiling Decoration
Kenyon Cox
Graphite on off-white laid paper for transfer · 1891
The Metropolitan Museum of Art
Mexican Landscape
Frederic Edwin Church, American
Graphite on off-white laid paper · 1884
Cooper Hewitt, Smithsonian Design Museum
Port Neuf Canyon, Idaho
Thomas Moran, American, b. Britain
Brush and watercolor over graphite, ruled in graphite on off-white laid paper · 1879
Cooper Hewitt, Smithsonian Design Museum
Botanical Studies, Colombia
Frederic Edwin Church, American
Graphite on off-white laid paper · 1853
Cooper Hewitt, Smithsonian Design Museum
Studies of Bathers
Walter Shirlaw
Graphite on off-white laid paper · 1838
The Metropolitan Museum of Art
Studies of Bathers Disrobing
Walter Shirlaw
Graphite on off-white laid paper · 1838
The Metropolitan Museum of Art
Portrait of a Man, Giuseppe Valadier
Jean-Baptiste Joseph Wicar, French
Graphite on off-white laid paper mounted on tan wove paper. Ruled lines in ink on mount. · 1825
Cooper Hewitt, Smithsonian Design Museum
Elevation of a Sepulchral Monument
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, graphite on off-white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Two Sketches for a Sepulchral Monument
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, graphite on off-white laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Design for a Set of Silver Tableware
Pietro Belli, Italian
tableware designs, drawing — pen and brown ink, brush and gray wash over graphite on off-white laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Mace with Arms of Pope Pius VII
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, graphite on off-white laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Inkstand
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and gray wash, graphite on off-white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Apollo Driving the Chariot of the Sun, for the Sala di Apollo e Diana, Palazzo Bianchetti, Bologna
Felice Giani, Italian
figures, drawing — pen and dark brown ink, brush and brown wash, graphite on off-white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum
Sketches for a Monstrance
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, graphite on off-white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum