Artworks

George Knapton

Pen and black ink, with brush and gray wash, on cream laid paper, laid down on ivory wove paper · 1700

Johann Zoffany

Black chalk on ivory laid paper · 1700

Daniel Gran

Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700

John Vanderbank

Wool and silk, slit and double interlocking tapestry weave · 1700

Sebastiano Conca

Black chalk, heightened with white chalk, on blue laid paper · 1700

Parmigianino

Black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper · 1700

James Barry

Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper · 1700

Thomas Gainsborough

Black crayon on ivory laid paper · 1700

Titian Ramsay Peale

Red chalk, with stumping, on ivory laid paper · 1700

Imitator of Jean Antoine Watteau

Pen and black ink on ivory laid paper · 1700

Nicolas Vleughels

Black chalk with brush and gray wash, on tan laid paper, laid down on buff laid paper · 1700

Vittorio Maria Bigari

Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700

Raphael

Black chalk, with graphite, on pale green wove paper, tipped on to cream wove paper · 1700

Pierre Alexandre Wille

Red chalk, over traces of graphite, on ivory laid paper · 1700

Francesco Bertos

Bronze · 1700

European

Silver · 1700

Giovanni Antonio Burrini

Brush and brown and gray wash over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1700

John Sell Cotman

Graphite on tan wove paper · 1700

Raphael

Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700

Imitator of Willem van de Velde, II

Pen and black ink, with brush and gray wash, on cream laid paper, laid down on board · 1700

Sebastiano Conca

Black chalk, heightened with white chalk, on blue laid paper · 1700

Han-Chinese

Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; pieced; painted details; edged with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1700

Federico Barocci

Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper · 1700

Titian

Red chalk, with stumping, on ivory laid paper · 1700