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Artworks

279 records · Graphite on cream laid paper
Design for a Gold and Silver Bishop's Reliquary
Design for a Gold and Silver Bishop's Reliquary
C. Luigi Valadier
Pen and black ink, brush with gray, yellow, red and blue wash, highlighted with white gouache over lead or graphite on cream laid paper; framing lines in pen and brown ink · 1780
The Metropolitan Museum of Art
Design for a Doorway to the Sacristy of St. Peter's, Rome
Design for a Doorway to the Sacristy of St. Peter's, Rome
Carlo Marchionni, Italian
Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1778
Cooper Hewitt, Smithsonian Design Museum
Portrait of a Man
Portrait of a Man
Hugh Douglas Hamilton
Pastel and graphite on cream laid paper prepared with a gray ground · 1770
Art Institute of Chicago
Portrait Bust of a Lady
Portrait Bust of a Lady
Hugh Douglas Hamilton
Pastel and graphite on cream laid paper prepared with a gray ground · 1770
Art Institute of Chicago
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1755
Cooper Hewitt, Smithsonian Design Museum
Design for the East Portal, Grand Gallery, Villa Albani, Rome, Italy
Design for the East Portal, Grand Gallery, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
architecture, interiors, drawing — pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1755
Cooper Hewitt, Smithsonian Design Museum
Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy
Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
architecture, interiors, drawing — pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1755
Cooper Hewitt, Smithsonian Design Museum
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1755
Cooper Hewitt, Smithsonian Design Museum
Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy
Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1755
Cooper Hewitt, Smithsonian Design Museum
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
Pen and brown ink, brush and grey, brown wash, graphite on cream laid paper · 1755
Cooper Hewitt, Smithsonian Design Museum
Design for a Marble Throne for the Statue of St. Peter, St. Peter's, Rome
Design for a Marble Throne for the Statue of St. Peter, St. Peter's, Rome
Luigi Vanvitelli, Italian
sculpture, drawing — pen and brown ink, graphite on cream laid paper · 1754
Cooper Hewitt, Smithsonian Design Museum
Two Riders
Two Riders
Sawrey Gilpin
Graphite on cream laid paper · 1753
Art Institute of Chicago
Design for a Fountain with Pegasus, for the Villa Albani, Rome
Design for a Fountain with Pegasus, for the Villa Albani, Rome
Carlo Marchionni, Italian
architecture, drawing — pen and brown ink, brush and gray wash, graphite on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Dog Paws
Dog Paws
Sawrey Gilpin
Graphite on cream laid paper · 1750
Art Institute of Chicago
Greyhounds and Their Keeper
Greyhounds and Their Keeper
Sawrey Gilpin
Graphite on cream laid paper, laid down on ivory card · 1750
Art Institute of Chicago
Design for a Sword Hilt
Design for a Sword Hilt
Juste-Aurèle Meissonnier, French, b. Italy
Pen and bistre, ink, brush and grey wash, graphite on cream laid paper, lined · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules
Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules
Giovanni Paolo Panini, Italian
Pen and brown ink, brush and gray wash, graphite on cream laid paper, lined · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for an Altar: Elevation, with Trompe l'Oeil Plan Below
Design for an Altar: Elevation, with Trompe l'Oeil Plan Below
Carlo Marchionni, Italian
Pen and brown ink, brush and gray, red wash, graphite on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Venus with Putti
Venus with Putti
Giovanni Battista Cipriani, Italian
Graphite on cream laid paper · 1747
Art Institute of Chicago
Venus with Putti
Venus with Putti
Giovanni Battista Cipriani
Graphite on cream laid paper · 1747
Art Institute of Chicago
Design for an Escutcheon in Form of Boat with Sail, for Recueil Nouveau de Differens Cartouches
Design for an Escutcheon in Form of Boat with Sail, for Recueil Nouveau de Differens Cartouches
Jacques de Lajoüe, French
Pen and brush and black ink, wash, graphite on cream laid paper · 1734
Cooper Hewitt, Smithsonian Design Museum
Two Horses Drinking
Two Horses Drinking
James Seymour
Graphite on cream laid paper, laid down on card · 1722
Art Institute of Chicago
Two Horses Drinking
Two Horses Drinking
James Seymour
Graphite on cream laid paper, laid down on card · 1722
Art Institute of Chicago
Two Horses Drinking
Two Horses Drinking
James Seymour
Graphite on cream laid paper, laid down on card · 1722
Art Institute of Chicago
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