Database / Artworks
Artworks
Coach Changing Horses
Thomas Rowlandson, British
Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board · 1827
Art Institute of Chicago
Coach Changing Horses
Thomas Rowlandson
Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board · 1827
Art Institute of Chicago
Lioness and Cubs
Antoine-Louis Barye
Watercolor, with graphite, on ivory wove paper, laid down on Japanese paper · 1827
Art Institute of Chicago
Adoration of the Magi
Bonifacio de Pitati
Watercolor, over graphite, on ivory wove paper · 1827
Art Institute of Chicago
Houses and Stone Wall, Newlyn
John Skinner Prout
Graphite, on ivory wove paper, tipped onto ivory wove card · 1826
Art Institute of Chicago
Lady and Cavalier
Joseph François
Graphite, on ivory wove paper, discolored to cream, perimeter mounted on cream board · 1825
Art Institute of Chicago
Sketch of Seated Woman in Peasant Costume
John Frederick Lewis
Watercolor over graphite, on ivory wove paper, tipped onto gray wove paper · 1825
Art Institute of Chicago
Sketch of Seated Woman in Peasant Costume
John Lewis
Watercolor over graphite, on ivory wove paper, tipped onto gray wove paper · 1825
Art Institute of Chicago
Lady and Cavalier
Eugène Devéria
Graphite, on ivory wove paper, discolored to cream, perimeter mounted on cream board · 1825
Art Institute of Chicago
Sketch of Seated Woman in Peasant Costume
John Frederick Lewis
Watercolor over graphite, on ivory wove paper, tipped onto gray wove paper · 1825
Art Institute of Chicago
The Diligence in the Alps
Thomas Allom
Brush and brown wash, heightened with touches of lead white, over traces of graphite, on ivory wove paper · 1824
Art Institute of Chicago
Conversion of St. Paul
Francesco Coghetti, Italian
Pen and brown ink, with brush and brown wash, over graphite, on ivory wove paper · 1824
Art Institute of Chicago
School House at Kings Norton Near Birmingham
Samuel Austin
Pen and brown ink and brush and watercolor, with scraping and additions of graphite, on ivory wove paper · 1824
Art Institute of Chicago
The Diligence in the Alps
Thomas Allom
Brush and brown wash, heightened with touches of lead white, over traces of graphite, on ivory wove paper · 1824
Art Institute of Chicago
Hanley Castle
William Leighton Leitch
Watercolor, heightened with white gouache, over graphite, on ivory wove paper, tipped on cream board · 1824
Art Institute of Chicago
Conversion of St. Paul
Francesco Coghetti
Pen and brown ink, with brush and brown wash, over graphite, on ivory wove paper · 1824
Art Institute of Chicago
View of Paris, from Meuden
Paul Huet
Watercolor, with traces of gouache, over graphite, on ivory wove paper · 1823
Art Institute of Chicago
View of Avignon (from Villeneuve les Avignon)
Paul Huet
Watercolor, with touches of gouache and scraping, selectively varnished with gum arabic, over traces of graphite, on ivory wove paper · 1823
Art Institute of Chicago
Sunset and Moonrise
Joseph Mallord William Turner
Watercolor and gouache over traces of graphite, on ivory wove paper, laid down on board · 1822
Art Institute of Chicago
Sunset and Moonrise
William Turner
Watercolor and gouache over traces of graphite, on ivory wove paper, laid down on board · 1822
Art Institute of Chicago
Two Women in Yellow Kerchiefs
Constantin
Brush and watercolor, over traces of graphite, on ivory wove paper · 1822
Art Institute of Chicago
After the Ballet
Constantin
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1822
Art Institute of Chicago
After the Ballet
Constantin Guys
Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper · 1822
Art Institute of Chicago
Two Women in Yellow Kerchiefs
Constantin Guys
Brush and watercolor, over traces of graphite, on ivory wove paper · 1822
Art Institute of Chicago