Database / Artworks
Artworks
Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago
Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago
Study of Valet with Coffee Pot
François Boucher, French
Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper · 1734
Art Institute of Chicago
Study of Valet with Coffee Pot
François Boucher
Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper · 1734
Art Institute of Chicago
The Rest on the Flight into Egypt
Claude Lorrain
pen and brown ink with gray and blue wash and graphite, heightened with white gouache on blue laid paper · 1682
National Gallery of Art
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri (Rome, 1634 – Rome, 1689)
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri, Italian
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
The Madonna Enthroned with Saint John the Baptist and Saint John the Evangelist
Hans von Aachen
pen and brown ink with brown wash over traces of graphite, heightened with white gouache, incised throughout and verso reddened for transfer, on laid paper · 1589
National Gallery of Art
Study for the "Madonna of the Rosary"
Federico Barocci
Black chalk, with brush and brown wash, red chalk, and touches of graphite, heightened with white chalk and white gouache, on tan laid paper, squared in red chalk · 1589
Art Institute of Chicago
Reclining Female Nude
William French
Graphite, heightened with white
Cleveland Museum of Art