Database / Artworks
Artworks
The Palazzo dei Priori, Volterra
David Roberts
Black graphite, heightened with white on blue paper · 1835
The Metropolitan Museum of Art
The Palazzo dei Priori, Volterra
David Roberts, Scottish
Black graphite, heightened with white on blue paper · 1835
The Metropolitan Museum of Art
A Costumed Actor in Front of a Curtain
Paul Gustave Doré
Pen and black ink, graphite, heightened with white · 1832
The Metropolitan Museum of Art
An apple, grapes and a hazelnut on a mossy bank
Henry Hunt
Watercolor and graphite, heightened with white · 1830
The Metropolitan Museum of Art
Guess My Name
David Wilkie Wynfield
Black and red Conté crayon, with graphite, heightened with white chalk on tan laid paper, laid down · 1821
Art Institute of Chicago
Drapery Study
Alfred Rethel
Graphite, heightened with white on brown paper; framing lines in graphite · 1816
The Metropolitan Museum of Art
The Three Fates
Felice Giani
Pen and brown ink and brush and brown wash, over traces of graphite, heightened with white gouache on buff laid paper · 1810
Art Institute of Chicago
The Three Fates
Felice Giani, Italian
Pen and brown ink and brush and brown wash, over traces of graphite, heightened with white gouache on buff laid paper · 1810
Art Institute of Chicago
The Daughters of Pandarus
John Flaxman
Charcoal and graphite, heightened with white chalk, on cream wove paper prepared with a pale brown wash · 1805
Art Institute of Chicago
Port of the Alhambra from the Dario
Richard Ford
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago
Port of the Alhambra from the Dario
Richard
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago
Port of the Alhambra from the Dario
Richard
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago
Loch Lomond
Stuart Haygarth
Brush and brown wash, over graphite, heightened with white chalk, on tan wove paper · 1800
Art Institute of Chicago
Port of the Alhambra from the Dario
Richard Ford
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago
Bank of a River with Mill
William Turner
Graphite, heightened with white chalk, on blue laid paper · 1798
Art Institute of Chicago
Stockade Near Shore
John Varley
Charcoal and graphite, heightened with white chalk, on blue wove paper · 1798
Art Institute of Chicago
Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus
Anne-Louis Girodet de Roussy-Trioson
Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper · 1796
Art Institute of Chicago
Thirius de Pautrizel
Jacques-Louis David
pen and gray ink with gray wash and pale brown wash (on the face) over touches of graphite, heightened with white gouache on laid paper, laid down on an old circular mount · 1795
National Gallery of Art
Classical Landscape
Pierre Henri
black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache · 1779
Cleveland Museum of Art
Classical Landscape
Pierre Henri
black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache · 1779
Cleveland Museum of Art
Birth of the Virgin
Giuseppe Cades
Pen and brown ink with pen and brown wash, over traces of graphite, heightened with white gouache (discolored), on ivory laid paper · 1779
Art Institute of Chicago
Design for a Funeral Monument
François Boucher
black chalk and stumping with touches of graphite, heightened with white, on brown laid paper · 1767
National Gallery of Art
A Mythological Scene with Sea Gods
Giuseppe Bernardino Bison
brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper · 1762
National Gallery of Art
Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago