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Artworks

90 records · Four offset lithographs
Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N.
Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N.
Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Fifty Nine Varieties of Paradise from General Dynamic F.U.N.
Fifty Nine Varieties of Paradise from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Astute Sizing up Perfume Trends from General Dynamic F.U.N.
Astute Sizing up Perfume Trends from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Sex Crime Wave Rolling High from General Dynamic F.U.N.
Sex Crime Wave Rolling High from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Notes on the Organization of Paradise from General Dynamic F.U.N.
Notes on the Organization of Paradise from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N.
Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
No Heroes Developed from General Dynamic F.U.N.
No Heroes Developed from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Plate Interpreted as a Whole (Whole Answer) from General Dynamic F.U.N.
Plate Interpreted as a Whole (Whole Answer) from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
More Power to Everybody from General Dynamic F.U.N.
More Power to Everybody from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Careers Today . . . How Children Fail from General Dynamic F.U.N.
Careers Today . . . How Children Fail from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
The Ritual Mainspring of the Area's Culture from General Dynamic F.U.N.
The Ritual Mainspring of the Area's Culture from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
The Puzzle of Female Pleasure from General Dynamic F.U.N.
The Puzzle of Female Pleasure from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Brainiac 5 no puede ganar contra tres maquinas from General Dynamic F.U.N.
Brainiac 5 no puede ganar contra tres maquinas from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Fortunes Guide to Government Contracts from General Dynamic F.U.N.
Fortunes Guide to Government Contracts from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
How to Spend Time in Hollywood from General Dynamic F.U.N.
How to Spend Time in Hollywood from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
The Impossible Dream . . . It's All the Same from General Dynamic F.U.N.
The Impossible Dream . . . It's All the Same from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
General Dynamic F.U.N.
General Dynamic F.U.N.
Eduardo Paolozzi
Portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
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