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Artworks

90 records · Four offset lithographs
Totems and Taboos of the Nine-to-Five Day from General Dynamic F.U.N.
Totems and Taboos of the Nine-to-Five Day from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Early Mental Traits of 300 Geniuses from General Dynamic F.U.N.
Early Mental Traits of 300 Geniuses from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Will Man Desert the Dog for the Dolophin from General Dynamic F.U.N.
Will Man Desert the Dog for the Dolophin from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Ready to Sparkle Fashions from General Dynamic F.U.N.
Ready to Sparkle Fashions from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Calling Radio Free America from General Dynamic F.U.N.
Calling Radio Free America from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Decency and Decorum in Production from General Dynamic F.U.N.
Decency and Decorum in Production from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
An Empire of Silly Statistics . . . A Fake War for Public Relations from General Dynamic F.U.N.
An Empire of Silly Statistics . . . A Fake War for Public Relations from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
The ABC of Z from General Dynamic F.U.N.
The ABC of Z from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Almost Any Suburb from General Dynamic F.U.N.
Almost Any Suburb from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Llalla Pallooza . . . Image Fades but Memory Lingers On from General Dynamic F.U.N.
Llalla Pallooza . . . Image Fades but Memory Lingers On from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Inside Down Under . . . What Are the Building Blocks of Structuralism from General Dynamic F.U.N.
Inside Down Under . . . What Are the Building Blocks of Structuralism from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Comparative Research in Inexperienced Types from General Dynamic F.U.N.
Comparative Research in Inexperienced Types from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Cucumber Night Cream from General Dynamic F.U.N.
Cucumber Night Cream from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Animals as Aliens from General Dynamic F.U.N.
Animals as Aliens from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Cary Grant as a Male War Bride from General Dynamic F.U.N.
Cary Grant as a Male War Bride from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Similar Remarks Apply to Uranium 235 from General Dynamic F.U.N.
Similar Remarks Apply to Uranium 235 from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Mumbling and Munching to Muzak from General Dynamic F.U.N.
Mumbling and Munching to Muzak from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N.
Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N.
Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Fifty Nine Varieties of Paradise from General Dynamic F.U.N.
Fifty Nine Varieties of Paradise from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Astute Sizing up Perfume Trends from General Dynamic F.U.N.
Astute Sizing up Perfume Trends from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Sex Crime Wave Rolling High from General Dynamic F.U.N.
Sex Crime Wave Rolling High from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Notes on the Organization of Paradise from General Dynamic F.U.N.
Notes on the Organization of Paradise from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N.
Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N.
Eduardo Paolozzi
Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints · 1965
Museum of Modern Art
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