Artworks

Marianne Strengell

Cotton, plain weave with wool yarns forming "hooked" pile · 1950

Marianne Strengell

Cotton, plain weave with wool yarns forming "hooked" pile · 1950

Marianne Strengell

Linen, wool and cotton, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;"knotted warp fringe · 1950

Marianne Strengell

Linen, nylon, cotton, wool, modacrylic metallic strip encased in polyester film, weft-faced plain weave with supplementary wrapping wefts forming cut and uncut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950

Marianne Strengell

Wool, cotton, linen, rayon, jute and nylon, weft-faced plain weave with weft bands of pile woven from woven fringe and chenille yarn ground wefts and by supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950

Marianne Strengell

Linen, wool, cotton, and saran, weft-faced plain weave with supplementary wrapping wefts forming cut and uncut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950

Marianne Strengell

Linen and wool, weft-faced plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots"; knotted warp fringe · 1950

Marianne Strengell

Cotton, plain weave with wool yarns forming "hooked" pile · 1950

Ruth Reeves

Cotton, acrylic, and jute, plain weave with supplementary backing wefts and supplementary pile wefts forming cut solid pile; edges bound with cotton, 2:2 twill weave tape; machine woven · 1950

Dorothy Liebes

Cotton and metallic foil encased in cellulose acetate butyrate film, twill weave with supplementary pile warps forming uncut pile · 1949

J B. Martin Company, Inc.

Acetate, rayon and metal-foil-strip-wrapped rayon, plain weave with supplementary pile warps forming cut voided velvet · 1949

Dorothy Liebes

Cotton, plain weave with supplementary pile warps forming uncut voided velvet · 1948

Claude Ronald Bentley

Cotton, plain weave with supplementary wool yarns pushed through ground weave to form cut solid pile; gun tufted · 1948

George Lovett Kingsland Morris

Cotton, plain weave with supplementary wool yarns pushed through ground weave to form cut solid pile (gun tufted) · 1945

Marta Maas-Fjetterstrom

Linen and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as “Ghiordes Knots,” knotted warp fringe · 1944

Joseph Cornell

Stained wood box with glass front, paper, light bulb, colored-paper image on wood form, plastic spider, tree bark, and dried leaves · 1944

Joseph Cornell

Stained wood box with glass front, light bulb, tree bark, glitter or glass chips, glass, colored-paper image adhered to a wood form, and twigs · 1944

Marianne Strengell

Linen, wool and cotton, weft-faced plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots;" knotted warp fringe · 1943

Marianne Strengell

Linen, wool and cotton, weft-faced plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots" · 1941

Marcel Duchamp

Cardboard box with punched holes forming the title, a green flocked interior, and copper strips forming an M on the front cover and a D on the back cover; the box contains 93 facsimiles of manuscript notes, drawings, and photographs, one additional color print of “Neuf moules mâlic” (Nine Malic Molds) under glass in the back cover, and one manuscript item. · 1934

Eileen Hunter

Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; screen printed · 1933

J B. Martin Company, Inc.

Silk and acetate, plain weave with supplementary warps and supplementary pile warps forming cut solid velvet; impressed pattern · 1933

J B. Martin Company, Inc.

Silk and acetate, plain weave with supplementary warps and supplementary pile warps forming cut solid velvet; impressed pattern · 1933

Guido Cadorin

Cotton, silk and silvered-metal strip, plain weave with supplementary patterning wefts and pile warps forming cut voided velvet · 1930