Database / Artworks
Artworks
From Instructions
Simone Forti
Performance with rope and hardware · 1961
Museum of Modern Art
Huddle
Simone Forti
Performance · 1961
Museum of Modern Art
Linear Motif in Black and White
Victor Pasmore
Oil paint on Formica and plywood · 1960
Tate
Rug or Wall Hanging in the "Two Grey Hills" Style
Daisy Tauglechee
Wool, single interlocking tapestry weave; all edges twined, twining elements form corner knotted tassels · 1960
Art Institute of Chicago
See Saw
Simone Forti
Performance with plywood seesaw · 1960
Museum of Modern Art
Room divider from the Maison du Brésil
Charlotte Perriand
Oak, plywood, plastic, aluminum, formica · 1959
Table from the Maison du Brésil
Charlotte Perriand
Tubular steel, formica, plywood, and plastic · 1959
Museum of Modern Art
Room divider from the Maison du Brésil
Charlotte Perriand
Oak, plywood, plastic, aluminum, formica · 1959
Museum of Modern Art
Sample and One Colorway (83.79.969/62.)
J B. Martin Company, Inc.
Rayon and cotton, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1958
Art Institute of Chicago
Sample (83.79.968/55.)
J B. Martin Company, Inc.
Rayon and silk, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1957
Art Institute of Chicago
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1957
Art Institute of Chicago
Planes in Modulated Surface 4
Lygia Clark
Formica and industrial paint on wood · 1957
Museum of Modern Art
Rug Sample
Marianne Strengell
Linen, wool, cotton, and rayon, weft-faced, weft band plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots;" knotted warp fringe · 1956
Art Institute of Chicago
Sample (Handbag Material)
Dorothy Liebes
Nylon polyamide (three different forms), cotton, linen, cellulose film, and metal foil laminated in cellulose acetate film · 1956
Art Institute of Chicago
Album I, Vasarely, title page and colophon
Victor de Vasarely
Sheet folded to form title page and colophon for the portfolio of screenprints · 1955
Art Institute of Chicago
Sample and Two Colorways (83.79.963/40.)
J B. Martin Company, Inc.
Rayon and cotton, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1954
Art Institute of Chicago
Rattner: an exhibition of paintings, drawings, and watercolors
Abraham Rattner
Letterpress and photo lithography in black, with hand-coloring on cover image, on cream wove paper. Sheet folded to form four pages with poster inside when completely opened · 1952
Art Institute of Chicago
Coney Island, New York
Garry Winogrand
Gelatin silver print, form the portfolio "Garry Winogrand" (1974) · 1952
Art Institute of Chicago
Conference Room Table from Turin Stock Exchange
Roberto Gabetti
Lacquered wood, brass, Formica and Resinflex · 1952
Museum of Modern Art
Sample (83.79.964/41.)
J B. Martin Company, Inc.
Rayon and acetate, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1951
Art Institute of Chicago
Rug Sample
Marianne Strengell
Linen and wool, weft-faced plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes Knots" · 1950
Art Institute of Chicago
Sample (83.79.965/42.)
J B. Martin Company, Inc.
Rayon and acetate, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1950
Art Institute of Chicago
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago