Artworks

Jasper Johns

Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967

Jasper Johns

Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967

Jasper Johns

Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967

Richard Serra

Vulcanized rubber, neon tubing, transformer, and wire · 1967

Richard Artschwager

Formica veneer and felt on wood · 1967

Robert Morris

Vacuum-formed plastic · 1967

Larsen Design Studio

Cotton, plain weave; supplementary pile warps forming cut, solid velvet; resist-dyed (batik); printed selvedge · 1966

Douglas Huebler

Formica on plywood · 1966

J B. Martin Company, Inc.

Acetate, rayon and metallized-polyester-film strips, satin weave with two-color discontinuous supplementary pile warps forming cut voided velvet · 1966

George Maciunas

Vinyl-covered attaché case, containing fifteen rubber bulbs with noisemakers on wood platform · 1966

Robert Smithson

Mirrors on formica-covered base · 1966

Hans Krondahl

Cotton, plain weave with supplementary pile warps forming cut solid velvet; printed · 1965

J B. Martin Company, Inc.

Rayon, acetate, and silk-wrapped-metallized-polyester film, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1965

Tom Wesselmann

Blow-formed screenprinted vinyl · 1965

Jessie T. Pettway

Pieced cotton, polyester, cellulose acetate, silk, rayon and acrylic, plain weaves; some with supplementary warps some forming cut voided pile; some self-patterned by main warp and ground weft floats; some printed; plain weave derived float weave; twill weaves, some printed; satin weave; and machine knitting; backed with cotton, plain weave; quilted with cotton threads · 1965

J B. Martin Company, Inc.

Rayon and cotton, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1964

Richard Artschwager

Formica on wood · 1964

Craig Kauffman

Acrylic lacquer on vacuum-form plexiglass · 1964

William Steig

Pen and black ink, with blue ballpoint pen, graphite, watercolor, and type-written text on thin wove paper, laid down on eight sheets of ivory wove paper, folded and stapled into book form · 1963

Robert Watts

Formed plastic with flocking, containing wax egg · 1963

Robert Watts

Formed plastic box with metallic pigmentation · 1963

Anita Askild

Cotton, plain weave with supplementary pile warps forming cut, solid velvet; screen printed · 1962

Bruce Conner

Wall component: wood, fabric, cardboard, wallpaper, magazine pages, stickers, string, twine, plastic film, glass fragments, mirror fragments, iron straps, grommets, nails, screws, upholstery tacks, metal foil, aluminum sheet, electrical socket, electrical wiring, rubber hose, beads, costume jewelry parts, sequins, ribbon, nylon stocking, cigarette filter, paint, graphite, bitumen, and resin on pressed hardboard; painted wood frame with mirror segments. Floor component: wood spool, fiberboard cone, paper, paint, monofilament netting, electrical plug, insulated wire, speaker, audio cable, iron wire, rings and clips, paper, yarn, and twine; 1/4 in. reel-to-reel audio tape transferred to digital format. · 1961

Simone Forti

Performance with rope and hardware · 1961