Database / Artworks
Artworks

Cuff
Suzanne Bucher
Formica · 1984
Art Institute of Chicago

Pair of Cuff Links and Three Studs
Ivy Ross
Colorcore Formica · 1984
Art Institute of Chicago

My Dog Bear
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; supplementary warp twining; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago

A Change in the Weather
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago

Silk Overshot Wearable Poncho
Keiko Kobayashi
Four panels joined to form a poncho: silk, plain weave with supplementary patterning wefts · 1984
Art Institute of Chicago

Bracelet
Ivy Ross
Wood, Colorcore Formica, and plastic · 1983
Art Institute of Chicago

Ancestors
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist · 1983
Art Institute of Chicago

Tête-à-tête (chair)
Stanley Tigerman
Plywood and colored plastic laminate (Formica) · 1983
Art Institute of Chicago

Government Approved Home Fallout Shelter Snack Bar
Michael Smith
Props, furniture, linoleum, Vacuform, cinder blocks, wood paneling, sound recording, video game with purpose-built cabinet, television, standard-definition video (color, sound; 24:10 min.), seven pencil drawings on paper, and ephemera · 1983
Museum of Modern Art

Yuan (Furnishing Fabric)
Ben Rose
Cotton, plain weave with supplementary pile warps forming cut velvet; screen printed · 1982
Art Institute of Chicago

Orion
Ásgerður Ester Búadóttir
Linen, wool, and horsehair, slit and double interlocking tapestry weave with eccentric wefts and supplementary wrapping wefts forming cut pile; backing bands of jute, plain weave · 1981
Art Institute of Chicago

Spice Garden (Furnishing Fabric)
June Groff
Cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed · 1981
Art Institute of Chicago

Carlton Room Divider
Ettore Sottsass
Wood and colored plastic laminate (formica) · 1981
Art Institute of Chicago

Partial Eclipse...
Marc Camille Chaimowicz
Performance, 1 person and slide, 35 mm, 160 slides, 2 projections, black and white and colour, and sound · 1980
Tate

Hanging
Thoko Zile
Cotton and wool, plain weave with supplementary wrapping wefts forming cut pile; wrapped with cotton · 1980
Art Institute of Chicago

"Strips" Quilt
Gearldine Westbrook
Pieced cotton, wool, polyester, silk, nylon, rayon, acrylic, and cellulose acetate, plain weaves, plain weave derived float weaves, plain weave with supplementary pile warps forming cut voided pile, plain weave with supplementary patterning wefts; twill weaves, twill weave with self-patterning ground weft floats; machine single and double knits and machine knot with supplementary cut pile; some printed; pieced; edged with cotton, plain weave, printed; backed with polyester, plain weave; printed · 1980
Art Institute of Chicago

"Celebrity Ties" Quilt
Grace C. Wagner
Silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed · 1980
Art Institute of Chicago

Going to the Market
Guy de Cointet
Performance, prop · 1978
Museum of Modern Art

Little House in the Clouds
Stanley Tigerman
Painted, flocked formed plastic · 1976
Art Institute of Chicago

Clearwater (Furnishing Fabric)
Larsen Design Studio
Cotton, plain weave with supplementary pile warps forming solid, cut, velvet; screen printed · 1976
Art Institute of Chicago

Grand Luxe (Furnishing Fabric)
Jack Lenor Larsen
Cotton and ramie, warp-float faced satin weave with supplementary patterning warps forming cut fringe and self-patterned by areas of plain weave and by reversing of faces · 1975
Art Institute of Chicago

The Rise and Fall of Western Industrialism as Seen Through the Automobile
Chris Burden
Three chromogenic prints and typewriting on paper of the Hallwalls, Buffalo, New York performance, December 5, 1975 · 1975
Museum of Modern Art

Le Feu et La Cendre (Fire and Cinders)
Magdalena Abakanowicz
Linen and sisal, discontinuous weft plain weave with supplementary brocading wefts, supplementary wrapping wefts and some ground wefts forming cut and uncut weft pile; self-patterned by ground weft floats; appliquéd with smaller rectangle of same weave, wrapped cord, yarn bundles forming cut pile and three-dimensional form of knotting · 1973
Art Institute of Chicago

Commemorative Ground Cover
Dominick Di Meo
Polyform, polymer and acrylic on canvas · 1973
Art Institute of Chicago