Database / Artworks
Artworks

Panel
Mathevon et Bouvard
Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago

Panel
Mathevon et Bouvard
Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile · 1860
Art Institute of Chicago

Parasol
Gorham Manufacturing Company
Black Chantilly lace overy ivory taffeta. Lined with thin white silk; wood handle in form of rustic sitck; folding handle; steel tubing frame · 1855
Art Institute of Chicago

Shirt (Camisa)
Maya
Cotton; warp-faced plain weave in stripes formed by paired warps and wefts; inset sleeves with embroiderd decorations · 1850
Art Institute of Chicago

Bedcover
Rebecca C. Hayward
Wool, broken twill weave; fulled; embroidered with wool and silk in back, individual back, looped back (cut to form pile), chain, feather, fly, long-armed cross, satin, individual satin, and stem stitches; lined with cotton, plain weave; roller and possibly block printed; glazed · 1844
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Fragment
Gertrude Rapp
Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet · 1838
Art Institute of Chicago

Cover
Laura Dollaff Dresser
Wool, twill weave; fulled; appliquéd with linen, plain weave; embroidered with wool in running stitches cut to form pile · 1825
Art Institute of Chicago

Woman's Overskirt
Petr Kuba
Raffia, plain weave; embroidered in stem stitches and running stitches cut to form pile · 1801
Art Institute of Chicago

Woman's Overskirt
Kuba Bakowski
Raffia, plain weave; embroidered in stem stitches and running stitches cut to form pile · 1801
Art Institute of Chicago

Woman's Overskirt
Kuba
Raffia, plain weave; pieced; embroidered in lateral looping, and stem and running stitches cut to form pile; couching; joined by pearl and trammed twisted buttonhole stitches; edged in lateral looping stitches · 1801
Art Institute of Chicago

Sleeve band
Han-Chinese
Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form panels at either side. Figures and auspicious symbols in colors and gold on ivory silk grou nd. · 1801
Art Institute of Chicago

Sleeve band
Han-Chinese
Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form panels at either side. Figures and auspicious symbols in colors and gold on ivory silk grou nd. · 1801
Art Institute of Chicago

Sleeve band
Han-Chinese
Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form panels at either side. Figures and auspicious symbols in colors and gold on ivory silk grou nd. · 1801
Art Institute of Chicago

Woman's Overskirt
Kuba
Raffia, plain weave; pieced; embroidered in lateral looping, and stem and running stitches cut to form pile; couching; joined by buttonhole, pearl, and trammed twisted buttonhole stitches; edged in lateral looping stitches · 1801
Art Institute of Chicago

Woman's Overskirt
Kuba
Raffia, plain weave; embroidered in stem stitches and running stitches cut to form pile · 1801
Art Institute of Chicago

Cup
Christoph Jamnitzer
Electroformed copper, gilt · 1800
The Metropolitan Museum of Art

Panel (Furnishing Fabric)
Manchu
Gold satin ground with embroidered dragon medallions, clouds and variety of floral forms in polychrome · 1800
Art Institute of Chicago