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Artworks

376 records · Form
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Édouard Jean Vuillard
Black crayon on tan wove paper; verso: lithograph of La Revue Blanche Transformée and Ames Solitaires · 1884
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
William Morris
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
William Morris Hunt
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
William Morris Hunt
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
William Morris (1834-1896)
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
William Morris Hunt
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
Morris
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
"Swan House" Carpet
"Swan House" Carpet
William Morris
Cotton and wool, plain weave with supplementary wrapping wefts forming "Ghiordes knots" cut pile · 1883
Art Institute of Chicago
Portière
Portière
G
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories
Velvet Fabric for a Woman's Ao or Magua (Short Coat), Shoes, and Accessories
Manchu
Silk, warp-float faced 3:1 'Z' twill weave with supplementary pile warps forming cut and uncut solid velvet · 1880
Art Institute of Chicago
Portière
Portière
Anna G. Lyman
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Fragment of a Chair Seat
Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago
Fragment of a Chair Seat
Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago
"Lily" Carpet
"Lily" Carpet
William Morris
Wool and cotton, plain weave with supplementary pile warps forming cut solid pile; woven on loom with Jacquard attachment · 1877
Art Institute of Chicago
Acanthus
Acanthus
William Morris (1834-1896)
Cotton, twill weave with supplementary pile wefts forming cut "velveteen"; block printed · 1876
Art Institute of Chicago
Acanthus
Acanthus
Morris
Cotton, twill weave with supplementary pile wefts forming cut "velveteen"; block printed · 1876
Art Institute of Chicago
Panel (from a Dress)
Panel (from a Dress)
Charles Frederick Worth
Silk, satin weave with supplementary pile warps forming cut, voided velvet · 1875
Art Institute of Chicago
Panel (Furnishing Fabric)
Panel (Furnishing Fabric)
Luigi Bevilacqua
Silk, cotton and gilt strip, plain weave with supplementary patterning wefts and pile warps forming cut and uncut voided velvet · 1875
Art Institute of Chicago
Fragment
Fragment
Charles Francis Annesley Voysey
Cotton, warp-float faced 2:1 twill weave with supplementary pile wefts forming cut solid "velvet"; block printed · 1875
Art Institute of Chicago
Chimney Strip
Chimney Strip
Wiener Werkstätte
Cotton, plain weave with supplementary brocading wefts forming cut pile; stenciled · 1875
Art Institute of Chicago
Woman's Ceremonial Skirt
Woman's Ceremonial Skirt
Kuba
Raffia, plain weave; embroidered with raffia in buttonhole, pearl, and stem stitches, and running stitches cut to form pile; edged with raffia and hemp, plain weave, 2:2 oblique interlacing, and raffia-wrapped-raffia cord · 1875
Art Institute of Chicago
Utrecht Velvet
Utrecht Velvet
William Morris
Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped · 1871
Art Institute of Chicago
Elevated view of the city including docks, Venice
Elevated view of the city including docks, Venice
Carlo Ponti
Albumen print form a collodion negative · 1870
Art Institute of Chicago
Large Syringa
Large Syringa
Edward William Godwin
Silk, satin weave, self-patterned by reversing of faces; edged with cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; and silk and cotton, braid of plain weave with extended weft loops · 1864
Art Institute of Chicago
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