Database / Artworks
Artworks

Nude and Flowers
Marguerite Zorach
Linen, plain weave; cotton, wool and silk, plain and twill weaves, velvet and knitted strips forming “hooked” pile; edges with wool, single crochet · 1922
Art Institute of Chicago

Fragment
Paul Follot
Cotton, plain weave with supplementary pile warps forming cut solid velvet; block or screen printed; some selvages present · 1921
Art Institute of Chicago

Panel
Maria Monaci Gallenga
Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled · 1920
Art Institute of Chicago

Carpet
Jacobus W. C. Gidding, (Jaap)
Cotton, jute, and wool, plain weave with secondary binding warps tying supplementary chenille patterning wefts forming cut surface pile · 1920
Art Institute of Chicago

Carpet
Jean Lurçat
Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1920
Art Institute of Chicago

Panel
Maria Kipp
Cotton, wool, rayon, and metal foil laminated in cellulose acetate film, plain weave with patterning wefts and self-patterned by main warp and ground weft floats forming uncut warp pile in areas · 1920
Art Institute of Chicago

Tea Gown
Jessie Franklin Turner
Dress: silk, plain weave; embroidered in silk floss in cross stitch; sleeves: plain weave with paired wefts, with supplementary patterning warps forming cut pile (velvet); dress trimed with sleeve fabric · 1920
Art Institute of Chicago

Hanging
Ernest Boiceau
Linen, wool, silk and gilt-strip on silk core; weft-float faced reversed twill weave; with areas of uncut pile formed by hooking; signature embroidered in "chain" stitches covered with wrapping yarns of gilt-strip on silk core and wool · 1920
Art Institute of Chicago

Carpet or Hanging
Jean Lurçat
Wool, plain weave with supplementary wrapping wefts forming cut solid pile through a technique known as "Ghiordes knots"; attached wool, knotted cut fringe · 1920
Art Institute of Chicago

Le Jardin (The Garden)
Jean Lurçat
Wool and linen, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1920
Art Institute of Chicago

Upholstery Fabric for the Fisher Theater
Mrs. Howard C. Blake
Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed · 1918
Art Institute of Chicago

Cushion Cover
Maria Monaci Gallenga
Cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled · 1911
Art Institute of Chicago

Panel from a Lady's Evening Tunic
Maria Monaci Gallenga
Silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed · 1910
Art Institute of Chicago

Panel
Warner and Sons Limited
Silk and cotton, warp-float faced satin weave with two-color supplementary pile warps forming cut and uncut voided velvet · 1910
Art Institute of Chicago

Penny Doily Quilt
Erna E. (Hucke) Postel
Cotton, plain weave; pieced; quilted; embroidered with cotton yarns in back, Roumanian, running, satin and stem stitches; couching and French knots; folded triangles forming zig-zag edges · 1908
Art Institute of Chicago

Carpet
George Grant Elmslie
Linen, cotton and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1907
Art Institute of Chicago

Panel
Mariano Fortuny Y Madrazo
Silk, plain weave with supplementary pile warps forming cut, solid velvet; printed · 1906
Art Institute of Chicago

Coat (Three-quarter Length with Attached Scarf)
Mariano Fortuny Y Madrazo
Silk, plain weave with supplementary warp forming cut pile; printed; lined with silk, warp-float faced satin weave · 1906
Art Institute of Chicago

From a frieze called "The Pines"
Addison B. Le Boutellier
tiles, decorative arts, tile — formed, applied and glazed earthenware · 1902
Cooper Hewitt, Smithsonian Design Museum

Tile
Grueby Faience Company, Revere, Massachusetts
tiles, decorative arts, tile — formed, applied and glazed earthenware · 1902
Cooper Hewitt, Smithsonian Design Museum

Carpet
Josef Hoffmann
Linen, jute and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1902
Art Institute of Chicago

Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago

Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago

Panel
Kuba
Raffia, plain weave; embroidered in overcast and stem with running stitches cut to form pile; couching · 1901
Art Institute of Chicago