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Artworks

378 records · Form
Nude and Flowers
Nude and Flowers
Marguerite Zorach
Linen, plain weave; cotton, wool and silk, plain and twill weaves, velvet and knitted strips forming “hooked” pile; edges with wool, single crochet · 1922
Art Institute of Chicago
Fragment
Fragment
Paul Follot
Cotton, plain weave with supplementary pile warps forming cut solid velvet; block or screen printed; some selvages present · 1921
Art Institute of Chicago
Panel
Panel
Maria Monaci Gallenga
Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled · 1920
Art Institute of Chicago
Carpet
Carpet
Jacobus W. C. Gidding, (Jaap)
Cotton, jute, and wool, plain weave with secondary binding warps tying supplementary chenille patterning wefts forming cut surface pile · 1920
Art Institute of Chicago
Carpet
Carpet
Jean Lurçat
Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1920
Art Institute of Chicago
Panel
Panel
Maria Kipp
Cotton, wool, rayon, and metal foil laminated in cellulose acetate film, plain weave with patterning wefts and self-patterned by main warp and ground weft floats forming uncut warp pile in areas · 1920
Art Institute of Chicago
Tea Gown
Tea Gown
Jessie Franklin Turner
Dress: silk, plain weave; embroidered in silk floss in cross stitch; sleeves: plain weave with paired wefts, with supplementary patterning warps forming cut pile (velvet); dress trimed with sleeve fabric · 1920
Art Institute of Chicago
Hanging
Hanging
Ernest Boiceau
Linen, wool, silk and gilt-strip on silk core; weft-float faced reversed twill weave; with areas of uncut pile formed by hooking; signature embroidered in "chain" stitches covered with wrapping yarns of gilt-strip on silk core and wool · 1920
Art Institute of Chicago
Carpet or Hanging
Carpet or Hanging
Jean Lurçat
Wool, plain weave with supplementary wrapping wefts forming cut solid pile through a technique known as "Ghiordes knots"; attached wool, knotted cut fringe · 1920
Art Institute of Chicago
Le Jardin (The Garden)
Le Jardin (The Garden)
Jean Lurçat
Wool and linen, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1920
Art Institute of Chicago
Upholstery Fabric for the Fisher Theater
Upholstery Fabric for the Fisher Theater
Mrs. Howard C. Blake
Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed · 1918
Art Institute of Chicago
Cushion Cover
Cushion Cover
Maria Monaci Gallenga
Cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled · 1911
Art Institute of Chicago
Panel from a Lady's Evening Tunic
Panel from a Lady's Evening Tunic
Maria Monaci Gallenga
Silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed · 1910
Art Institute of Chicago
Panel
Panel
Warner and Sons Limited
Silk and cotton, warp-float faced satin weave with two-color supplementary pile warps forming cut and uncut voided velvet · 1910
Art Institute of Chicago
Penny Doily Quilt
Penny Doily Quilt
Erna E. (Hucke) Postel
Cotton, plain weave; pieced; quilted; embroidered with cotton yarns in back, Roumanian, running, satin and stem stitches; couching and French knots; folded triangles forming zig-zag edges · 1908
Art Institute of Chicago
Carpet
Carpet
George Grant Elmslie
Linen, cotton and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1907
Art Institute of Chicago
Panel
Panel
Mariano Fortuny Y Madrazo
Silk, plain weave with supplementary pile warps forming cut, solid velvet; printed · 1906
Art Institute of Chicago
Coat (Three-quarter Length with Attached Scarf)
Coat (Three-quarter Length with Attached Scarf)
Mariano Fortuny Y Madrazo
Silk, plain weave with supplementary warp forming cut pile; printed; lined with silk, warp-float faced satin weave · 1906
Art Institute of Chicago
From a frieze called "The Pines"
From a frieze called "The Pines"
Addison B. Le Boutellier
tiles, decorative arts, tile — formed, applied and glazed earthenware · 1902
Cooper Hewitt, Smithsonian Design Museum
Tile
Tile
Grueby Faience Company, Revere, Massachusetts
tiles, decorative arts, tile — formed, applied and glazed earthenware · 1902
Cooper Hewitt, Smithsonian Design Museum
Carpet
Carpet
Josef Hoffmann
Linen, jute and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots" · 1902
Art Institute of Chicago
Portière
Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Panel
Panel
Kuba
Raffia, plain weave; embroidered in overcast and stem with running stitches cut to form pile; couching · 1901
Art Institute of Chicago
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