Database / Artworks
Artworks
When Day Breaks We Will Be Off, Plate 71
Francisco de Goya
etching and aquatint · 1799
Cleveland Museum of Art
They Have Flown, Plate 61
Francisco de Goya
etching and aquatint · 1799
Cleveland Museum of Art
When Day Breaks We Will Be Off, Plate 71
Francisco Goya
etching and aquatint · 1799
Cleveland Museum of Art
They Have Flown, Plate 61
Francisco Goya
etching and aquatint · 1799
Cleveland Museum of Art
Tableau of the Principal Peoples of America (Tableau des principaux peuples de l'Amérique)
Jacques Grasset de Saint-Sauveur
Etching and aquatint with hand coloring · 1797
The Metropolitan Museum of Art
Tableau of the Principal Peoples of America (Tableau des principaux peuples de l'Amérique)
Jacques Grasset de Saint-Sauveur
Etching and aquatint with hand coloring · 1797
The Metropolitan Museum of Art
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Francisco José de Goya y Lucientes
Etching and aquatint on ivory laid paper · 1797
Art Institute of Chicago
Personification of Architecture with the Genius of the Fine Arts
Felice Giani
etching and aquatint printed in red-brown on laid paper · 1797
National Gallery of Art
La filiacion (The Filiation)
Francisco Goya
etching and aquatint on laid paper [proof before letters] · 1797
National Gallery of Art
Place de Meir at Antwerp
Thomas Rowlandson
hand-colored etching and aquatint · 1797
National Gallery of Art
Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco de Goya
Etching and aquatint on cream laid paper · 1797
Art Institute of Chicago
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Francisco de Goya
Etching and aquatint on ivory laid paper · 1797
Art Institute of Chicago
Wooded Landscape with Cows beside a Pool, Figures and Cottage
Thomas Gainsborough
softground etching and aquatint · 1797
Cleveland Museum of Art
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Francisco Goya
Etching and aquatint on ivory laid paper · 1797
Art Institute of Chicago
Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco Goya
Etching and aquatint on cream laid paper · 1797
Art Institute of Chicago
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge
James Gillray
Hand-colored etching and aquatint · 1796
The Metropolitan Museum of Art
Pauvre Annette
Philibert Louis Debucourt
etching and aquatint with hand coloring on laid paper · 1795
National Gallery of Art
Shelter in the Park (recto); The Pyramid (verso)
Carl August Senff
Etching and aquatint in sanguine on paper · 1795
Art Institute of Chicago
The Ravine (Der Hohlweg)
Jacob Wilhelm Mechau
Etching and aquatint in sanguine on ivory wove paper · 1794
Art Institute of Chicago
Entrance to the Narrow Pass
Jacob Wilhelm Mechau
Etching and aquatint in sanguine on ivory wove paper · 1794
Art Institute of Chicago
Garrick in the "Farmer's Return"
Samuel Ireland, English, ca. 1744–1800
Etching and aquatint on paper · 1794
Cooper Hewitt, Smithsonian Design Museum
Botheration
Thomas Rowlandson
hand-colored etching and aquatint · 1793
National Gallery of Art
A Squall in Hyde Park
Thomas Rowlandson
hand-colored etching and aquatint · 1791
National Gallery of Art
The Inn Yard on Fire
Thomas Rowlandson
hand-colored etching and aquatint · 1791
National Gallery of Art