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Artworks

Les Courses du Matin, ou la Porte d'un Riche
Philibert Louis Debucourt
etching and aquatint on wove paper · 1805
National Gallery of Art

Les Courses du Matin ou La Porte d'un Riche (The Morning Courses or At the Door of a Wealthy Home from Moers et Ridicules)
Philibert Louis Debucourt
Etching and aquatint on wove paper · 1805
Art Institute of Chicago

The Little Boat, or The Happy Union
Philibert Louis Debucourt
etching and aquatint on wove paper · 1804
National Gallery of Art

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)
Thomas Girtin
Soft-ground etching and aquatint · 1803
The Metropolitan Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance
Thomas Girtin
softground etching and aquatint printed in brown, hand-colored with watercolor · 1803
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
Frederick Christian Lewis
softground etching and aquatint printed in brown, hand-colored with watercolor · 1803
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton
Frederick Christian Lewis
softground etching and aquatint printed in brown, hand-colored with watercolor · 1803
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Gate of St. Denis taken from the Suburbs
Frederick Christian Lewis
softground etching and aquatint, hand-colored with watercolor · 1803
Cleveland Museum of Art

The Man in the Moon! or Consular Observations
Isaac Cruikshank
Hand-colored etching and aquatint · 1803
The Metropolitan Museum of Art

The Lawyers Last Circuit
Thomas Rowlandson
hand-colored etching and aquatint · 1802
National Gallery of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle & Notre Dame taken from the Arsenal
Thomas Girtin
softground etching and aquatint printed in brown · 1802
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pont de la Tournelle & Notre Dame Taken from the Arsenal
Frederick Christian Lewis
softground etching and aquatint printed in brown, hand-colored with watercolor · 1802
Cleveland Museum of Art
Selection of Twenty of the Most Picturesque Views in Paris:View of Pont au Change
Frederick Christian Lewis
softground etching and aquatint printed in brown · 1802
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, &c taken from Pont de la Concorde
Frederick Christian Lewis
softground etching and aquatint, printed in brown · 1802
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle & Notre Dame taken from the Arsenal
Frederick Christian Lewis
softground etching and aquatint printed in brown · 1802
Cleveland Museum of Art

View from Palace Terrace at Saint Germain on Laye, from Twenty Views in Paris and its Environs
Thomas Girtin
Etching and aquatint in brownish black on cream wove paper · 1802
Art Institute of Chicago

L'Orange, ou le moderne Jugement de Paris
Philibert Louis Debucourt
etching and aquatint · 1801
National Gallery of Art

Count Ugolino della Gherardesca with his Sons and Grandsons in Prison
Felice Giani, Italian
figures, print — etching and aquatint on paper · 1800
Cooper Hewitt, Smithsonian Design Museum

Nadie se conoce (Nobody Knows Himself)
Francisco Goya
etching and aquatint on wove paper · 1799
National Gallery of Art

Estan Calientes (They Are Hot)
Francisco Goya
etching and aquatint with burnishing on laid paper · 1799
National Gallery of Art

Subir y bajar (To Rise and To Fall)
Francisco Goya
etching and aquatint with burnishing on laid paper · 1799
National Gallery of Art

No hay quien nos desate? (Can't Anyone Untie Us?)
Francisco Goya
etching and aquatint with burnishing on laid paper · 1799
National Gallery of Art

The Monkey Room in the Tower
Thomas Rowlandson
hand-colored etching and aquatint · 1799
National Gallery of Art

El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)
Francisco Goya
etching and aquatint on laid paper · 1799
National Gallery of Art