Database / Artworks
Artworks
The Idle 'Prentice turn'd away, and sent to Sea
William Hogarth
etching and engraving · 1747
National Gallery of Art
The Fellow 'Prentices at Their Looms
William Hogarth
etching and engraving · 1747
National Gallery of Art
The Industrious 'Prentice performing the Dutyof a Christian
William Hogarth
etching and engraving · 1747
National Gallery of Art
The Idle 'Prentice at Play in the Church Yard, during Divine Service
William Hogarth
etching and engraving · 1747
National Gallery of Art
Jacobus Gibbs, Architectus
Bernard Baron
Etching and engraving; third state of three · 1747
The Metropolitan Museum of Art
IIe: Vue de Fronville (Second View of Fronville)
William Wynne Ryland
Etching and engraving · 1747
The Metropolitan Museum of Art
Louis Seize
Francesco Bartolozzi
Etching and engraving on paper · 1747
Art Institute of Chicago
Adam and Eve in Paradise
Francesco Bartolozzi
Etching and engraving on cream paper, laid down on cream card · 1747
Art Institute of Chicago
The Industrious 'Prentice Performing the Duty of a Christian: IIndustry and Idleness, plate 2
William Hogarth
Etching and engraving; first state of two · 1747
The Metropolitan Museum of Art
Concert of Cats, after the painting in the collection of the Duc de Choiseul
Balthasar Anton Dunker
Etching and engraving · 1746
The Metropolitan Museum of Art
Decoration for a Masked Ball given by the King
Charles Nicolas Cochin, I
Etching and engraving on paper · 1746
Art Institute of Chicago
S. Pierre Regalda (S. Pietro d'Alcantara)
Francesco Bartolozzi
Etching and engraving; third state · 1746
The Metropolitan Museum of Art
Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)
Jakob van der Schley
Etching and engraving · 1745
The Metropolitan Museum of Art
Plate Two, from Marriage à la Mode
Baron
Etching and engraving in black with traces of pen and black ink on ivory laid paper · 1745
Art Institute of Chicago
The Morning Toilet (La Petite Toilette), from "Le Monument du Costume"
Pietro Antonio Martini
Etching and engraving · 1745
The Metropolitan Museum of Art
Design for a Cartouche with Vignette
François de Cuvilliés the Elder, Belgian
figures, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Design for a Cartouche with Vignette
François de Cuvilliés the Elder, Belgian
figures, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Design for Wainscoting with a Mirror
François de Cuvilliés the Elder, Belgian
interiors, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Elevation and Plan of a Carriage Entrance
François de Cuvilliés the Elder, Belgian
interiors, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Design for Two Cartouches
François de Cuvilliés the Elder, Belgian
ornament, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Cartouche with Central Vignette
François de Cuvilliés the Elder, Belgian
ornament, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
DESCRIPTION DES FÊTES DONNÉES PAR LA VILLE DE STRASBOURG Pour la Convalescence du Roi : à l’arrivée et pendant le séjour de Sa Majesté en cette Ville.
Johann Martin Weis, French
print — etching and engraving on paper · 1745
Cooper Hewitt, Smithsonian Design Museum
DESCRIPTION DES FÊTES DONNÉES PAR LA VILLE DE STRASBOURG Pour la Convalescence du Roi : à l’arrivée et pendant le séjour de Sa Majesté en cette Ville.
Johann Martin Weis, French
print — etching and engraving on paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Elevation and Plan for a Public Fountain
François de Cuvilliés the Elder, Belgian
sculpture, print — etching and engraving on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum