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80 records · Etching, aquatint and drypoint
MoMAMet MuseumArt Institute ChicagoCleveland MuseumShow all
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Transporting the Wounded in Houthulst Forest (Verwundetentransport im Houthulster Wald) from The War (Der Krieg)
Transporting the Wounded in Houthulst Forest (Verwundetentransport im Houthulster Wald) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
The Sleepers of Fort Vaux (Gas Victims) [Die Schlafenden von Fort Vaux (Gas-Tote)] from The War (Der Krieg)
The Sleepers of Fort Vaux (Gas Victims) [Die Schlafenden von Fort Vaux (Gas-Tote)] from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Foxhole (Unterstand) from The War (Der Krieg)
Foxhole (Unterstand) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Dead Man (St. Clément) [Toter (St. Clément)] from The War (Der Krieg)
Dead Man (St. Clément) [Toter (St. Clément)] from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Ration Carrying near Pilkem (Essenholer bei Pilkem) from The War (Der Krieg)
Ration Carrying near Pilkem (Essenholer bei Pilkem) from The War (Der Krieg)
Otto Dix
Etching and aquatint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Found While Digging a Trench (Auberive) [Gefunden beim Grabendurchstich (Auberive)] from The War (Der Krieg)
Found While Digging a Trench (Auberive) [Gefunden beim Grabendurchstich (Auberive)] from The War (Der Krieg)
Otto Dix
Etching and aquatint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
House Destroyed by Aerial Bombs (Tournai) [Durch Fliegerbomben zerstörtes Haus (Tournai)] from The War (Der Krieg)
House Destroyed by Aerial Bombs (Tournai) [Durch Fliegerbomben zerstörtes Haus (Tournai)] from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Lens Being Bombed (Lens wird mit Bomben belegt) from The War (Der Krieg)
Lens Being Bombed (Lens wird mit Bomben belegt) from The War (Der Krieg)
Otto Dix
Etching and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Roll Call of Returning Troops (Appell der Zurückgekehrten) from The War (Der Krieg)
Roll Call of Returning Troops (Appell der Zurückgekehrten) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Skull (Schädel) from The War (Der Krieg)
Skull (Schädel) from The War (Der Krieg)
Otto Dix
Etching from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Skin Graft (Transplantation) from The War (Der Krieg)
Skin Graft (Transplantation) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Visit to Madame Germaine's in Méricourt (Besuch bei Madame Germaine in Méricourt) from The War (Der Krieg)
Visit to Madame Germaine's in Méricourt (Besuch bei Madame Germaine in Méricourt) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint and drypoints · 1924
Museum of Modern Art
Secret
Secret
Edvard Munch
Etching, aquatint and drypoint on white wove paper · 1913
Art Institute of Chicago
Social Success, plate seven from Woman
Social Success, plate seven from Woman
Albert Besnard
Etching, aquatint and drypoint on cream Japanese paper · 1886
Art Institute of Chicago
Flirtation, plate six from Woman
Flirtation, plate six from Woman
Albert Besnard
Etching, aquatint and drypoint on cream Japanese paper · 1886
Art Institute of Chicago
Flirtation, plate six from Woman
Flirtation, plate six from Woman
Albert Besnard
Etching, aquatint and drypoint on cream Japanese paper · 1886
Art Institute of Chicago
Suffer!, plate fourteen from A Life
Suffer!, plate fourteen from A Life
Max Klinger
Etching, aquatint and drypoint in black ink on grayish ivory wove paper, laid down on cream laid plate paper (chine collé) · 1884
Art Institute of Chicago
Road near Honfleur
Road near Honfleur
John Henry Twachtman
etching, aquatint and drypoint on paper · 1883
Smithsonian American Art Museum
Path through the Woods at Pontoise
Path through the Woods at Pontoise
Camille Pissarro
Etching, aquatint and drypoint · 1879
Museum of Modern Art
Hat and Guitar, Frontispiece for the edition of fourteen etchings
Hat and Guitar, Frontispiece for the edition of fourteen etchings
Édouard Manet
Etching, aquatint and drypoint in black on ivory wove paper · 1862
Art Institute of Chicago
The Boy with a Sword, Turned to the Left III
The Boy with a Sword, Turned to the Left III
Édouard Manet
Etching, aquatint and drypoint, with roulette, in black on ivory laid paper · 1862
Art Institute of Chicago
The Death of the Vagabond
The Death of the Vagabond
Alphonse Legros
Etching, aquatint and drypoint on cream wove paper · 1855
Art Institute of Chicago
Water's Edge by Morning Light (Au bord de l'eau (Effet du matin))
Water's Edge by Morning Light (Au bord de l'eau (Effet du matin))
Alphonse Legros
etching, aquatint and drypoint? · 1837
National Gallery of Art
Fisherman with a Hoop-net (La peche a la truble)
Fisherman with a Hoop-net (La peche a la truble)
Alphonse Legros
etching, aquatint and drypoint? · 1837
National Gallery of Art
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