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Artworks

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching from two plates, hard ground etching, aquatint, and roulette on paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black on white laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, aquatint, and roulette inked à la poupée in black and brown on white wove paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black on white laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, aquatint, and roulette, with touches of drypoint, printed in black on white wove paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching from two plates, etching, aquatint, and roulette, with brush and grey wash, on paper · 1826
Art Institute of Chicago

The Blind Singer
Francisco Goya
etching, aquatint and/or lavis, drypoint and burin on laid paper · 1824
National Gallery of Art

Disparate puntual (Sure Folly)
Francisco Goya
etching, aquatint and (drypoint?) · 1816
National Gallery of Art

Disparate femenino (Feminine Folly)
Francisco Goya
etching, aquatint and (drypoint?) · 1816
National Gallery of Art

Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint · 1816
National Gallery of Art

Modo de volar (A Way of Flying)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Disparate ridiculo (Ridiculous Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Disparate de miedo (Folly of Fear)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Disparate femenino (Feminine Folly)
Francisco Goya
etching, aquatint and (drypoint?) (trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Fuerte cosa es! (That's Tough!)
Francisco Goya
etching, aquatint, and drypoint with burnishing (proof) on laid paper · 1810
National Gallery of Art

Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58] · 1810
National Gallery of Art

Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher in umber on laid paper [trial proof printed posthumously by Lefort and/or in the Calcografia c.1870) · 1810
National Gallery of Art

Nada (Nothing)
Francisco Goya
etching, aquatint and lavis with burnishing (proof) on laid paper · 1810
National Gallery of Art

Dios se lo pague a vsted (May God Repay You)
Francisco Goya
etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867] · 1804
National Gallery of Art

Hocus Pocus, or Searching for the Philosopher's Stone
Thomas Rowlandson
etching, aquatint, and stipple with hand coloring on wove paper · 1800
National Gallery of Art