Database / Artworks
Artworks
Disparate de miedo (Folly of Fear)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate femenino (Feminine Folly)
Francisco Goya
etching, aquatint and (drypoint?) (trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
John Bull Making a New Batch of Ships to Send to the Lakes
William Charles
etching, aquatint and watercolor on paper · 1812
Smithsonian American Art Museum
Fuerte cosa es! (That's Tough!)
Francisco Goya
etching, aquatint, and drypoint with burnishing (proof) on laid paper · 1810
National Gallery of Art
Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58] · 1810
National Gallery of Art
Esto es lo verdadero (This Is the Truth)
Francisco Goya
etching, aquatint, drypoint, burin and burnisher in umber on laid paper [trial proof printed posthumously by Lefort and/or in the Calcografia c.1870) · 1810
National Gallery of Art
Nada (Nothing)
Francisco Goya
etching, aquatint and lavis with burnishing (proof) on laid paper · 1810
National Gallery of Art
Dunstanburgh Castle, from "Liber Studiorum," part III
Charles Turner, British
print — etching, aquatint and mezzotint, printed in brown ink · 1808
Cooper Hewitt, Smithsonian Design Museum
Dios se lo pague a vsted (May God Repay You)
Francisco Goya
etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867] · 1804
National Gallery of Art
Hocus Pocus, or Searching for the Philosopher's Stone
Thomas Rowlandson
etching, aquatint, and stipple with hand coloring on wove paper · 1800
National Gallery of Art
Y aun no se van! (And Still They Don't Go!)
Francisco Goya
etching, aquatint, and engraving with burnishing on laid paper · 1799
National Gallery of Art
Buen Viage (Bon Voyage)
Francisco Goya
etching, aquatint, and engraving with burnishing on laid paper · 1799
National Gallery of Art
Si quebro el cantaro (Yes He Broke the Pot)
Francisco Goya
etching, aquatint and drypoint on laid paper · 1799
National Gallery of Art
Volaverunt (They Have Flown)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Quien mas rendido? (Which of Them Is the More Overcome?)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)
Francisco Goya
etching, aquatint, drypoint, and burin on laid paper · 1799
National Gallery of Art
Ni asi la distingue (Even Thus He Cannot Make Her Out)
Francisco Goya
etching, aquatint and drypoint on laid paper [proof before letters] · 1797
National Gallery of Art
Al Conde Palatino (To the Count Palatine)
Francisco Goya
etching, aquatint, drypoint and burin on laid paper [proof before letters] · 1797
National Gallery of Art
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco Goya
Etching, aquatint, drypoint and burin in black on ivory laid paper · 1797
Art Institute of Chicago
Vue d'un pont sur l'Aar, Canton de Berne (View of a Bridge on the Aar, Berne)
Charles Melchior Descourtis
etching, aquatint, and wash manner, printed in color on laid paper · 1785
National Gallery of Art
Venus Surrounded by Putti
Arthur Pond
Etching, aquatint, and colored woodcut · 1730
The Metropolitan Museum of Art
Tokyo Tower (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Ikeda Masuo (池田満寿夫)
Etching, aquatint, drypoint, and roulette
Art Institute of Chicago