Database / Artworks
Artworks
The Sorcerer’s Apprentice
Terence La Noue
Mezzotint, carborundum, woodcut, etching, aquatint and acrylic paint on paper · 1982
Tate
A Moment Into Eternity II
Adja Yunkers
Color soft ground etching, aquatint, lithograph, and screenprint on white wove paper · 1982
Art Institute of Chicago
One (No Two)
Steven Sorman
Color lithograph, screenprint, etching, aquatint, and collage, with metallic gold powder additions, on cream wove paper · 1982
Art Institute of Chicago
Stage Struck
Laddie John Dill
Color soft ground etching, aquatint, and hand burnishing on white wove paper · 1982
Art Institute of Chicago
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 3
Shoichi Ida
One from a portfolio of five etching, aquatint, and drypoints with chine collé · 1982
Museum of Modern Art
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 1
Shoichi Ida
One from a portfolio of five etching, aquatint, and drypoints with chine collé · 1982
Museum of Modern Art
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 4
Shoichi Ida
One from a portfolio of five etching, aquatint, and drypoints with chine collé · 1982
Museum of Modern Art
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 2
Shoichi Ida
One from a portfolio of five etching, aquatint, and drypoints with chine collé · 1982
Museum of Modern Art
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 5
Shoichi Ida
One from a portfolio of five etching, aquatint, and drypoints with chine collé · 1982
Museum of Modern Art
Nancy Outside in July XII: Green Leaves
Jim Dine
Hard and soft ground etching, aquatint, and spitbite on white wove paper · 1981
Art Institute of Chicago
Not St. Girolamo
Francesco Clemente
Etching, aquatint and drypoint with chine collé · 1981
Museum of Modern Art
The Artifice (L'artificio) from the portfolio April Manual (Manuale d'Aprile)
Sandro Chia
Etching, aquatint, drypoint and roulette · 1981
Museum of Modern Art
Double page in-text plate (folios 15 and 16) from Anular
Antoni Tàpies
Accordion folded etching, aquatint, carborudum, and photolighotphs · 1981
Museum of Modern Art
Ashland Series #1
Laddie John Dill
Color soft ground etching, aquatint, and hand burnishing on white wove paper · 1980
Art Institute of Chicago
Ashland Series #4
Laddie John Dill
Soft ground etching, aquatint and burnishing on white wove paper · 1980
Art Institute of Chicago
Dance Composition No. 34
Eldzier Cortor
Etching, aquatint, and flat bite from two plates in brown and black on cream wove paper · 1980
Art Institute of Chicago
Canyon/Pistol from Smokers
Donald Sultan
One from a portfolio of three etching, aquatint, drypoint and mezzotints · 1980
Museum of Modern Art
Cigarette fromSmokers
Donald Sultan
One from a portfolio of three etching, aquatint, drypoint and mezzotints · 1980
Museum of Modern Art
Cigarette/Stack fromSmokers
Donald Sultan
One from a portfolio of three etching, aquatint, drypoint and mezzotints · 1980
Museum of Modern Art
Nutcracker from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art
Hazel from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art
Bird of Paradise from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art
Linette from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art
Eve from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art