Database / Artworks
Artworks
Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions · 1926
Museum of Modern Art
Trial proof for In All Things, Tears..., plate XXVII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1926
Museum of Modern Art
Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere
Georges Rouault
Aquatint, lift ground aquatint, and drypoint with roulette over photogravure · 1926
Museum of Modern Art
The Chinese Invented Gunpowder, They Say, and Made Us a Gift of It (Chinois inventa, dit-on, la poudre à canon, nous en fit don), plate XXXVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
Are We Not All Convicts? (Ne sommes-nous pas forçats?), plate VI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
"Jesus Will Be in Agony until the End of the World..." («Jésus sera en agonie jusqu'à la fin du monde...»), plate XXXV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
In So Many Different Ways, The Noble Vocation of Sowing Hostile Land (En tant d'ordres divers le beau métier d'ensemencer une terre hostile), plate XXII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
"The Righteous, like Sandalwood, Perfume the Axe That Falls on Them" («Le Juste comme le bois de santal parfume la hache qui le frappe»), plate XLVI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1926
Museum of Modern Art
The Barnyard (La Basse-cour), plate XVII (supplementary suite) from Les Âmes mortes
Marc Chagall
Etching and drypoint with roulette · 1923
Museum of Modern Art
Meal at Manilov's House (Repas chez Manilov), plate X (supplementary suite) from Les Âmes mortes
Marc Chagall
Etching and drypoint with roulette · 1923
Museum of Modern Art
Sobakévitch Near the Armchair (Sobakévitch près du fauteuil), plate XXXVIIbis (supplementary suite) from Les Âmes mortes
Marc Chagall
Etching and drypoint with roulette · 1923
Museum of Modern Art
Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1923
Museum of Modern Art
Trial proof for We Think Ourselves Kings, plate VII from Miserere
Georges Rouault
Aquatint, lift ground aquatint, and drypoint with roulette over photogravure · 1923
Museum of Modern Art
Portents... (Augures...), plate XLI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
"He That Believeth in Me, Though He Were Dead, Yet Shall He Live" («Celui qui croit en moi fût-il mort vivra»), plate XXVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
"That Ye Love One Another" («Aimez-vous les uns les autres»), plate XXXI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1923
Museum of Modern Art
Trial proof for Jesus Mocked..., plate II from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere
Georges Rouault
Aquatintand drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Eternally Scourged..., plate III from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1922
Museum of Modern Art
Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions · 1922
Museum of Modern Art
Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1922
Museum of Modern Art