Database / Artworks
Artworks
Studio
Bill Jensen
Etching, aquatint, and drypoint with roulette · 1983
Museum of Modern Art
Title page from Endless
Bill Jensen
Etching and drypoint with roulette from a portfolio of ten etchings (four with aquatint, three with aquatint and drypoint, one with drypoint and roulette, one with aquatint, drypoint, engraving, and roulette, one with aquatint and photogravure) and two drypoint and aquatints · 1983
Museum of Modern Art
I: Mariposa Street (folio 5) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
V: Catalina View (folio 17) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
IV: Cisco Kid (folio 14) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
VI: A Club in My Ribs (folio 20) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, photogravure, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
In Birmingham Jail
Warrington Colescott
Etching, aquatint, and drypoint with roulette and found letterpress · 1963
Museum of Modern Art
Composition
K.R.H. Sonderborg
Etching, aquatint, and drypoint with roulette · 1958
Museum of Modern Art
Composition
K.R.H. Sonderborg
Etching, aquatint, and drypoint with roulette · 1958
Museum of Modern Art
Plate (folio 29) from 23 Gravures
Jacques Lipchitz
Drypoint with roulette from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1935
Museum of Modern Art
Onan
Salvador Dalí
Illustrated book with one photogravure, aquatint, and drypoint with roulette · 1934
Museum of Modern Art
Girl in Bath
Emil Ganso
Etching, aquatint, and drypoint with roulette · 1932
Museum of Modern Art
Paris Night
Emil Ganso
Etching, aquatint, engraving, and drypoint with roulette · 1930
Museum of Modern Art
Quincy-Ségy, Winter
Emil Ganso
Aquatint, etching, and drypoint with roulette · 1929
Museum of Modern Art
Montigny
Emil Ganso
Etching, aquatint, and drypoint with roulette · 1929
Museum of Modern Art
Trees
Emil Ganso
Etching, aquatint, and drypoint with roulette · 1929
Museum of Modern Art
Trial proof for Out Of The Depths..., plate XLVII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1927
Museum of Modern Art
Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1927
Museum of Modern Art
Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1927
Museum of Modern Art
Trial proof for Lord, It Is Thou, I Know Thee!, plate XXXII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1927
Museum of Modern Art
Trial proof for War, Which All Mothers Hate, plate XLII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1927
Museum of Modern Art
Trial proof for Face To Face, plate XL from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1926
Museum of Modern Art
Trial proof for In All Things, Tears..., plate XXVII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure, with pen and ink additions · 1926
Museum of Modern Art
Trial proof for The Law Is Hard, But It Is The Law, plate LII from Miserere
Georges Rouault
Aquatint and drypoint with roulette over photogravure · 1926
Museum of Modern Art