Database / Artworks
Artworks

I've Been Near You, but You've Never Noticed Me
Christy Matson
Cotton and wool; twill weaves with supplementary brocading wefts in twill and satin weave variations · 2016
Art Institute of Chicago

Si Rothko M'etait Conté (If Rothko Himself Had Told Me a Story)
Mariette Rousseau-Vermette
Cotton and wool, plain weave with discontinuous wefts; fulled · 1997
Art Institute of Chicago

Hanging
Thoko Zile
Cotton and wool, plain weave with supplementary wrapping wefts forming cut pile; wrapped with cotton · 1980
Art Institute of Chicago

Tegn I (Sign)
Jan Groth
Cotton and wool, double interlocking tapestry weave · 1970
Art Institute of Chicago

Swazi Drapery (Furnishing Fabric)
Larsen Design Studio
Cotton and wool, plain weave self-patterned by areas of main warp and ground weft floats · 1962
Art Institute of Chicago

Nuit et Lumière (Night and Light)
Jean Lurçat
Cotton and wool, slit and double interlocking tapestry weave · 1962
Art Institute of Chicago

Zebres
Victor de Vasarely
Cotton and wool, slit and double interlocking tapestry weave · 1959
Art Institute of Chicago

Composition Gris, Noir, Rouge (Composition Gray, Black, Red)
Jean (Hans) Arp
Cotton and wool, slit and double interlocking tapestry weave · 1958
Art Institute of Chicago

Rug Sample
Marianne Strengell
Linen, abaca, cotton and wool, plain weave and weft-faced plain weave; knotted warp fringe · 1952
Art Institute of Chicago

Panel (Upholstery Fabric)
Yvonne Palmer Pacanovsky Bobrowicz
Cotton and wool, plain weave; stripes of varying widths · 1952
Art Institute of Chicago

Panel (Furnishing Fabric)
Angelo Testa
Cotton and wool, plain weave with supplementary weft loop pile · 1952
Art Institute of Chicago

Coca Bag (Chuspa)
Quechua
Cotton and wool (camelid), stripes of plain weave and plain weave derivatives with complementary patterning warp; central stripe with extended warp creating a woven looped flap; applied tubular crossed-warp weave edging; wool-wrapped overcast stitch bottom edging and pom-pom tassles; attached strap of cotton and wool (camelid) plain weave with complementary patterning warp · 1950
Art Institute of Chicago

Overskirt (Urku)
Quechua
Cotton and wool (camelid), stripes of plain weave and plain weave derivatives with complementary patterning warp; applied tubular crossed-warp weave edging in complex bird's eye · 1950
Art Institute of Chicago

Dolls
Chancay
Contemporary assemblage of materials from a variety of past cultures. Cotton, variety of eaves, embroidered with cotton and wool in tunning and satin stitches; couching; cotton wrapped twigs · 1950
Art Institute of Chicago

Ramure (Branches or Antlers)
Jean (Hans) Arp
Cotton and wool, slit and double interlocking tapestry weave · 1950
Art Institute of Chicago

Sample (Upholstery Fabric)
Dorothy Liebes
Linen, jute, cotton and wool, plain weave · 1948
Art Institute of Chicago

Sample (Dr oo'#1)
Robert D. Sailors
Rayon, acetate, cotton and wool, twill weave · 1948
Art Institute of Chicago

Pins & Needles (Furnishing Fabric)
Ruth Adler Schnee
Cotton and wool, plain weave; screen printed · 1944
Art Institute of Chicago

Sampler
Turnbull and Stockdale
Cotton, plain weave, some with self-patterning wefts and warps pieced; roller and screen printed; and twill weaves; pieced; roller and screen printed; edged with cotton and wool, satin, twill, and plain weaves, some with supplementary patterning wefts and some with self-patterning wefts and warps; pieced; roller and screen printed · 1943
Art Institute of Chicago

Strata Echo (Furnishing Fabric)
Ruth Adler Schnee
Cotton and wool, plain weave; screen printed · 1942
Art Institute of Chicago

Wireworks (Furnishing Fabric)
Ruth Adler Schnee
Cotton and wool plain weave; screen printed · 1940
Art Institute of Chicago

Upholstery fabric sample (no.13308)
Marli Ehrman
Woven cotton and wool · 1940
Museum of Modern Art

Woman's Breast-Cover (ah khin)
Khami Chin
Cotton and silk, warp striped, warp-faced plain weave with supplementary patterning and brocading wefts; embellished with discontinuous supplementary wrapping elements; end embroidered with cotton and wool in buttonhole stitches; couching; cotton, piled and knotted corner tassels · 1930
Art Institute of Chicago

Man's Headcloth (Tzute)
Maya
Cotton and wool; plain weave formed by pairing warps and wefts; with supplementary patterning and brocading wefts · 1930
Art Institute of Chicago