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Artworks

50 records · Cotton and silk
Sample
Sample
Suzanne Lentz
Cotton and silk, plain weave with supplementary pile warps forming cut voided velvet; ikat dyed pile warps · 1991
Art Institute of Chicago
Rising Bubbles Falling Squares
Rising Bubbles Falling Squares
Lois Bryant
Rayon, cotton and silk, 3:1 twill damask weave; label; synthetic, plain weave with supplementary patterning warps; woven on computerized loom · 1983
Art Institute of Chicago
Equation (Furnishing Fabric)
Equation (Furnishing Fabric)
Larsen Design Studio
Cotton and silk, plain weave double cloth · 1973
Art Institute of Chicago
Sample (Upholstery Fabric)
Sample (Upholstery Fabric)
Dorothy Liebes
Cotton and silk, cotton/metal strip laminated in cellulose acetate film, and rayon, twill weave · 1946
Art Institute of Chicago
Curtain Panel
Curtain Panel
Hans Tisdall
Cotton and silk, twill weave; screen printed · 1935
Art Institute of Chicago
Panel
Panel
Eileen Hunter
Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; screen printed · 1933
Art Institute of Chicago
Woman's Breast-Cover (ah khin)
Woman's Breast-Cover (ah khin)
Khami Chin
Cotton and silk, warp striped, warp-faced plain weave with supplementary patterning and brocading wefts; embellished with discontinuous supplementary wrapping elements; end embroidered with cotton and wool in buttonhole stitches; couching; cotton, piled and knotted corner tassels · 1930
Art Institute of Chicago
Wynken, Blynken, and Nod
Wynken, Blynken, and Nod
Edith B. Murphy
Cotton and silk, weft-float-faced twill weave; fulled; indigo discharge dyeing · 1930
Art Institute of Chicago
Panel for a Blouse (Huipil)
Panel for a Blouse (Huipil)
Maya
Cotton and silk, plain weave formed by paried warps and wefts; with supplementary patterning and brocading wefts · 1930
Art Institute of Chicago
Woman's Shawl or Headdress (Tzute)
Woman's Shawl or Headdress (Tzute)
Maya
Cotton and silk; plain weave formed by single warps and groups of two or six wefts; with supplementary brocading wefts · 1930
Art Institute of Chicago
Woman's Shawl or Headdress (Tzute)
Woman's Shawl or Headdress (Tzute)
Maya
Cotton and silk; plain weave with supplementary brocading wefts · 1930
Art Institute of Chicago
Blouse (Huipil)
Blouse (Huipil)
Maya
Cotton and silk, plain weave with brocading wefts · 1930
Art Institute of Chicago
Blouse (Huipil)
Blouse (Huipil)
Maya
Cotton; plain weave formed by paired warps and wefts; with supplementary brocading wefts in cotton and silk floss · 1930
Art Institute of Chicago
Headband (Cinta)
Headband (Cinta)
Maya
Cotton and silk; twill and slit tapestry weave with inserts of eccentric wefts; in slit tapestry weave area grouped warps; applied silk fringe · 1930
Art Institute of Chicago
Wall Hanging (Woven in 1964 under Albers' supervision from the original design)
Wall Hanging (Woven in 1964 under Albers' supervision from the original design)
Anni Albers
Cotton and silk · 1927
Museum of Modern Art
Two Dancers
Two Dancers
Bertha Stenge
Linen plain weave appliquéd with various cotton, wool and silk fabrics; linen bobbin lace; wool, cotton and silk embroidery threads · 1925
Art Institute of Chicago
Panel
Panel
Henri Stéphany
Cotton and silk, satin weave self patterned by reversing of faces (satin damask) · 1925
Art Institute of Chicago
Man's Loin Cloth (pa deri)
Man's Loin Cloth (pa deri)
Mru Chin
Outer panels: cotton, warp-faced, weft-ribbed plain weave with supplementary patterning wefts; embellished with discontinuous supplementary wrapping elements; ends embroidered with cotton and wool in buttonhole stitches; couching; center panel: cotton and silk, warp-faced, weft-ribbed plain weave with supplementary patterning and brocading wefts; seam embroidered with cotton and wool in scroll stitches; couching · 1920
Art Institute of Chicago
Cushion Cover
Cushion Cover
Maria Monaci Gallenga
Cotton and silk, plain weave with supplementary pile warps forming cut, solid velvet; stenciled · 1911
Art Institute of Chicago
Portière
Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Blouse (Huipil)
Blouse (Huipil)
Maya
Cotton and silk floss; plain weave; with supplementary brocading and patterning wefts; three panels joined · 1901
Art Institute of Chicago
Blouse (Huipil)
Blouse (Huipil)
Maya
Cotton and silk floss; plain weave formed by single warp, double and triple wefts; with supplementary brocading and patetrning wefts; neck opening embroidered in buttonhole stitch in silk floss; two widths joined · 1901
Art Institute of Chicago
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