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Artworks

98 records · Cotton and rayon
Facing Touch
Facing Touch
Lia Cook
Cotton and rayon, weaving on digital hand loom · 2011
Art Institute of Chicago
Kinugasa Mushroom
Kinugasa Mushroom
Reiko Sudo
Cotton and rayon · 2007
Museum of Modern Art
Bells (Furnishing Fabric)
Bells (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, tied and free twill and plain weave double cloth · 1995
Art Institute of Chicago
Threads (Furnishing Fabric)
Threads (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, mixed twill tied double cloth · 1995
Art Institute of Chicago
Birds in Flight (Furnishing Fabric)
Birds in Flight (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, two-color complementary warp twill weave self-patterned by warp floats · 1995
Art Institute of Chicago
Pipedreams (Furnishing Fabric)
Pipedreams (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, mixed twill tied double cloth self-patterned by main warp and ground weft floats · 1995
Art Institute of Chicago
KFB – 122
KFB – 122
Kazimiera Frymark-Blaszczyk
Cotton and rayon, plain weave wrapped around a rigid structure; appliquéd with shells and embroidered with nylon in long stitches; edged with rayon cording; lined with a non-woven material · 1993
Art Institute of Chicago
Abacus (Sample) (Furnishing Fabric)
Abacus (Sample) (Furnishing Fabric)
Ben Rose
Cotton and rayon, plain weave variation · 1993
Art Institute of Chicago
Royal Pheasants
Royal Pheasants
Fon
Cotton, plain weave; appliquéd with cotton and rayon, plain weaves; embroidered with cotton in chain, detached chain, flat, and stem stitches; couching; borders of wool felt and cotton, plain weaves; backed with wool, plain weave · 1980
Art Institute of Chicago
Quietude
Quietude
Cynthia Schira
Cotton, rayon, wool, and cotton and rayon tapes, plain weave with discontinuous and non-horizontal supplementary facing wefts · 1980
Art Institute of Chicago
Sample (93.30.10.3/45.)
Sample (93.30.10.3/45.)
J B. Martin Company, Inc.
Cotton and rayon, plain weave with supplementary pile warps forming cut solid velvet; probably screen printed · 1968
Art Institute of Chicago
Sample and Three Colorways (93.30.10.3/47.)
Sample and Three Colorways (93.30.10.3/47.)
Manufactures de velours et peluches J.-B. Martin
Rayon, plain weave with supplementary pile warps forming cut solid velvet; resist dyed or painted; impressed; cotton and rayon · 1968
Art Institute of Chicago
Curtain Panel
Curtain Panel
Robert D. Sailors
Cotton, linen, cotton chenille, and cotton and rayon bouclé, weft band plain weave with supplementary discontinuous patterning warps · 1965
Art Institute of Chicago
Panel
Panel
Robert D. Sailors
Cotton and rayon bouclé yarns, float weave · 1965
Art Institute of Chicago
Study for Six Prayers: No. IV
Study for Six Prayers: No. IV
Anni Albers
Linen, jute and rayon; end sections: plain weave with supplementary, paired patterning warps and supplementary binding wefts; center section: plain weave with supplementary brocading wefts, alternating two-color main warp in pairs; edges bound in ribbon of cotton and rayon · 1965
Art Institute of Chicago
Mola
Mola
Guna
Cotton and rayon, plain weave, reverse applique with applique and cotton chain stitch embroidery · 1960
Art Institute of Chicago
Morgondagg (Tomorrow) (Drapery Fabric)
Morgondagg (Tomorrow) (Drapery Fabric)
Astrid Sampe
Linen, cotton and rayon, plain weave with supplementary patterning warps in plain gauze interworking; openwork · 1959
Art Institute of Chicago
Panel (Design 103)
Panel (Design 103)
Ling Po
Cotton and rayon, plain weave; silk screen printed · 1955
Art Institute of Chicago
Panel (Design 101)
Panel (Design 101)
Ling Po
Cotton and rayon, weft-float faced satin weave; screen printed · 1955
Art Institute of Chicago
Panel (Design 501)
Panel (Design 501)
Frank Lloyd Wright
Cotton and rayon, two-color complementary warp plain weave self-patterned by warp floats · 1955
Art Institute of Chicago
Panel (Design 503)
Panel (Design 503)
Frank Lloyd Wright
Cotton and rayon, warp-float faced satin weave · 1955
Art Institute of Chicago
Times Square (Furnishing Fabric)
Times Square (Furnishing Fabric)
Angelo Testa
Cotton and rayon, warp-float faced 7:1 satin weave self-patterned by areas of plain weave and with ground weft floats · 1952
Art Institute of Chicago
Modern Damask (Sample)
Modern Damask (Sample)
F. Schumacher & Co
Cotton and rayon, warp-float faced satin weave with supplementary patterning wefts tied by secondary binding warps in plain interlacings and self-patterned by ground weft floats · 1951
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Cotton, rayon, silk, metal foil laminated in cellulose acetate film, metal foil laminated in cellulose acetate film wound around cotton and rayon corre, metal strip wound around cotton core, metal rods, metal strips, cellulose acetate film with metal coating, glass beads, and cellulose film, weft bands of plain, twill, and broken twill weaves · 1951
Art Institute of Chicago
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