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Artworks

3,191 records · Cotton
Fragment
Fragment
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved copper plate on plain weave · 1802
Cooper Hewitt, Smithsonian Design Museum
Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Robert Smirke
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago
Ceremonial Cloth (Pua sungkit)
Ceremonial Cloth (Pua sungkit)
Iban Navarro
Three panels joined: Side panels: cotton, stripes of plain weave and of warp resist dyed (warp ikat) plain weave; Center panel: cotton, plain weave with supplementary patterning and brocading and twining wefts and supplementary wrapping elements · 1801
Art Institute of Chicago
Woman's Ceremonial Skirt (tapis)
Woman's Ceremonial Skirt (tapis)
Paminggir
Six loom widths: four loom widths of: silk, cotton and silver-leaf-over-lacquered-paper-strip wrapped cotton, plain weave with supplementary patterning wefts; embroidered with silk, cotton and gold-leaf-over-lacquered-paper-strip wrapped cotton in back and straight stitches; laidwork and couching; embellished with metal-backed glass mirrors; and two loom widths of cotton, plain weave; embroidered with silk, cotton, gold leaf-over-lacquered-paper-strip wrapped cotton and gold-colored metal strip, in back, double running, split, stem, and surface satin stitches; laidwork and couching; embellished with metal-backed glass mirrors · 1801
Art Institute of Chicago
Ceremonial Skirt (tapis)
Ceremonial Skirt (tapis)
Abung
Two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, double running, split, stem, straight and surface satin; laidwork and couching; embellished with metal-backed glass mirrors · 1801
Art Institute of Chicago
Ceremonial Waist Sash (ikak pinggang)
Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, and bands of interlocking tapestry weave; ends of wool, plain weave; fulled; underlaid with cotton, plain weave; embroidered with cotton and gilt-metal-strip-wrapped cotton in laidwork and paper padded couching; embellished with gold-colored-metal spangles; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago
Handkerchief
Handkerchief
Boston Chemical Printing Company
Cotton, plain weave; printed · 1801
Art Institute of Chicago
Woman's Ceremonial Skirt (Tapis)
Woman's Ceremonial Skirt (Tapis)
Abung
Two panels joined: cotton and silk, warp-faced, weft ribbed plain weave; embroidered with silk, gold-leaf-over-lacquered-paper strip wrapped cotton, cotton, gilt-metal coils, gilt-metal wire wrapped cotton ,gilt-metal-strip wrapped cotton and gilt-metal spangles in running stitches; laidwork, couching, and padded couching · 1801
Art Institute of Chicago
Shoulder or Head Cloth (selendang)
Shoulder or Head Cloth (selendang)
Minangkabau
Silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning and brocading wefts, plied main warp fringe terminating in knotted silk, cut tassels · 1801
Art Institute of Chicago
Woman's Ceremonial Skirt (tapis)
Woman's Ceremonial Skirt (tapis)
Paminggir
Two panels joined: stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps; cotton and silk, plain weave with supplementary brocading wefts: and stripes of cotton, plain weave embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in back, chain, stem and surface satin stitches; laidwork and couching · 1801
Art Institute of Chicago
Ceremonial Waist Sash (ikak pinggang)
Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton; in bands of plain weave, plain weave with supplementary patterning wefts and slit and dovetailed tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton and gilt-metal strip, plain weave with supplementary wefts; underlaid with tape of cotton, plain weave with extended paired weft and silvered-metal coil fringe · 1801
Art Institute of Chicago
Ceremonial Waist Sashes (ikak pinggang)
Ceremonial Waist Sashes (ikak pinggang)
Minangkabau
Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave; ends of wool, plain weave; fulled; with hammered white metal fitting and fringe of chain and cut, hammered end pieces · 1801
Art Institute of Chicago
Ceremonial Waist Sash (ikak pinggang)
Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago
Panel
Panel
William Morris
Cotton; printed · 1801
Art Institute of Chicago
Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Robert Smirke, the elder
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago
Panel (Furnishing Fabric)
Panel (Furnishing Fabric)
Adam Buck
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago
Panel in Japanese Style
Panel in Japanese Style
Tassinari et Chatel
Silk and cotton, warp-float faced 7:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground weft · 1801
Art Institute of Chicago
Tapis (Woman's Sarong)
Tapis (Woman's Sarong)
Sumatra
Cotton, silk, and mirror pieces · 1801
Art Institute of Chicago
Selendang (Shawl)
Selendang (Shawl)
Minangkabau
Cotton, plain weave; brocaded in metallic thread (gold strips wound around a cotton fibre core) with wide border decorations in densely placed geometric shapes in rows of varying widths · 1801
Art Institute of Chicago
Ceremonial Hanging (Palepai)
Ceremonial Hanging (Palepai)
Paminggir
Cotton, silk, and silver-leaf-over-lacquered-paper-strip-wrapped bast fiber (probably ramie), plain weave with supplementary patterning and brocading wefts, main warp fringe · 1801
Art Institute of Chicago
Bedcover
Bedcover
Sarah Stewart
Cotton, plain weave; quilted diagonally throughout; with additional three-dimensional quilting · 1801
Art Institute of Chicago
La Caravane du Caire
La Caravane du Caire
Favre Petitpierre
Cotton · 1800
The Metropolitan Museum of Art
Phebe Warner Coverlet
Phebe Warner Coverlet
William Warner
Linen and cotton · 1800
The Metropolitan Museum of Art
Le char de l'aurore, (copy # 1)
Le char de l'aurore, (copy # 1)
Petitpierre et Cie, Nantes, France
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved copper plate on plain weave · 1800
Cooper Hewitt, Smithsonian Design Museum
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