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Artworks

16 records · Color woodblock print; aiban
Sumida River seen from Azuma Bridge (Azumabashi yori Sumida wo miru no zu), from a group of Western-style landscapes
Sumida River seen from Azuma Bridge (Azumabashi yori Sumida wo miru no zu), from a group of Western-style landscapes
Katsushika Hokusai
Color woodblock print; aiban · 1800
Art Institute of Chicago
Maple Leaf Viewing (Momiji gari)
Maple Leaf Viewing (Momiji gari)
Sharaku
Color woodblock print; aiban, nishiki-e · 1789
Art Institute of Chicago
Actor Iwai Hanshirô IV as Akita Jônosuke Yoshikage in a “Shibaraku” role in “Memorial Service for St. Nichiren: A Model of ‘The Potted Trees’”(“Mieiko Nori no Hachi no Ki”)
Actor Iwai Hanshirô IV as Akita Jônosuke Yoshikage in a “Shibaraku” role in “Memorial Service for St. Nichiren: A Model of ‘The Potted Trees’”(“Mieiko Nori no Hachi no Ki”)
Katsukawa Shunei
Color woodblock print; aiban · 1786
Art Institute of Chicago
A Young Man Dressed as an Actor of the Ichikawa Family (by Shunsho), a Maid and a Geisha (by Shuncho)
A Young Man Dressed as an Actor of the Ichikawa Family (by Shunsho), a Maid and a Geisha (by Shuncho)
Katsukawa Shunshō
Color woodblock print; aiban · 1785
Art Institute of Chicago
Actors Nakayama Kojûrô VI as Osada Tarô Kagemune and Sawamura Sôjûrû III as Komatsu no Shigemori in “Snow-Covered Bamboo: Genji in Long Sleeves” (Yukimotsu Take Furisode Genji)
Actors Nakayama Kojûrô VI as Osada Tarô Kagemune and Sawamura Sôjûrû III as Komatsu no Shigemori in “Snow-Covered Bamboo: Genji in Long Sleeves” (Yukimotsu Take Furisode Genji)
Katsukawa Shunshō
Color woodblock print; aiban · 1780
Art Institute of Chicago
The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro
The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro
Katsushika Hokusai
Color woodblock print; aiban · 1778
Art Institute of Chicago
The Actor Nakamura Riko with a courtesan, from an untitled series of aiban prints depicting Actors in private life
The Actor Nakamura Riko with a courtesan, from an untitled series of aiban prints depicting Actors in private life
Torii Kiyonaga
Color woodblock print; aiban · 1776
Art Institute of Chicago
The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Katsukawa Shunshō
Color woodblock print; aiban · 1776
Art Institute of Chicago
The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Katsukawa Shunshō
Color woodblock print; aiban · 1776
Art Institute of Chicago
The Actors Ichimura Uzaemon IX as Hata no Daizen Taketora Disguised as the Yakko Matahei (right), and Iwai Hanshiro IV as Umegae Disguised as the Poem-Diviner Omatsu (left), in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781
The Actors Ichimura Uzaemon IX as Hata no Daizen Taketora Disguised as the Yakko Matahei (right), and Iwai Hanshiro IV as Umegae Disguised as the Poem-Diviner Omatsu (left), in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781
Katsukawa Shunshō
Color woodblock print; aiban · 1776
Art Institute of Chicago
Morning of Iris, from the series "Five Festivals in the Pleasure Quarters (Hanakuruwa gosechi no asobi)"
Morning of Iris, from the series "Five Festivals in the Pleasure Quarters (Hanakuruwa gosechi no asobi)"
Torii Kiyonaga
Color woodblock print; aiban · 1774
Art Institute of Chicago
The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
Katsukawa Shunshō
Color woodblock print; aiban · 1772
Art Institute of Chicago
The Actors Nakamura Nakazo I as Onmaya Kisanda Dressed as Kakubei the Lion Dancer (Kakubei-jishi) (right) and Segawa Kikunojo III as Shizuka Gozen (left), in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Tobiiri Kitsune (Heavenly Child—The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
The Actors Nakamura Nakazo I as Onmaya Kisanda Dressed as Kakubei the Lion Dancer (Kakubei-jishi) (right) and Segawa Kikunojo III as Shizuka Gozen (left), in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Tobiiri Kitsune (Heavenly Child—The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
Katsukawa Shunshō
Color woodblock print; aiban · 1772
Art Institute of Chicago
The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776
The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776
Katsukawa Shunshō
Color woodblock print; aiban · 1771
Art Institute of Chicago
Mitate (Parody) of Ono no Tofu in the Play Geiko Zashiki Kyogen
Mitate (Parody) of Ono no Tofu in the Play Geiko Zashiki Kyogen
Katsukawa Shunshō
Color woodblock print; aiban · 1771
Art Institute of Chicago
The Actor Akizuki Sampei from Osaka Standing on a Galloping Horse (right), in the Play Dai Kyokuba
The Actor Akizuki Sampei from Osaka Standing on a Galloping Horse (right), in the Play Dai Kyokuba
Katsukawa Shunshō
Color woodblock print; aiban · 1767
Art Institute of Chicago