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Artworks

122 records · Chromogenic color print
The Bodyguard
The Bodyguard
Alejandro Paz Navas
Video (color, sound; 14:30 min.) and six chromogenic color prints · 2002
Museum of Modern Art
Walking (But Missing Much)
Walking (But Missing Much)
Ginny Bishton
Cut-and-pasted chromogenic color prints on paper · 2002
Museum of Modern Art
Untitled (series for The Modern Procession, June 23, 2002, New York City)
Untitled (series for The Modern Procession, June 23, 2002, New York City)
Francis Alÿs
Pencil, colored pencil, ink, gouache, ballpoint pen, felt-tip pen, and cut-and-pasted printed paper on pieces of transparentized paper with pressure-sensitive tape, pressure-sensitive stickers, black-and-white instant prints, chromogenic color prints, postcards, paper clips, maps, and printed papers on pine tables with acrylic sheeting, metal architectural lamps, and two-channel video (sound, color) · 2002
Museum of Modern Art
Adams House in the Black Belt
Adams House in the Black Belt
William Christenberry
Bound book containing Iris prints, lithographs, and photogravures on white wove paper and one chromogenic color print · 2000
Art Institute of Chicago
Fait Ce Que Voudras (Desbarats, Ontario)
Fait Ce Que Voudras (Desbarats, Ontario)
Terry Evans
Hand-made, cloth-bound book containing 42 chromogenic color prints · 2000
Art Institute of Chicago
Untitled from 1989
Untitled from 1989
Chuck Close
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
Radio Pudding from 1989
Radio Pudding from 1989
Frank Moore
Monotype and photoetching from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
Really from 1989
Really from 1989
Jim Hodges
Double-sided digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
Untitled from 1989
Untitled from 1989
Robert Wilson
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
Untitled from 1989
Untitled from 1989
Kiki Smith
Etching and aquatint from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
1989
1989
Frank Moore
Portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
From the series Chinese Landscape Tattoos
From the series Chinese Landscape Tattoos
Huang Yan
Five chromogenic color prints · 1999
Museum of Modern Art
Topiary, Mérida, Yucatán Peninsula, Mexico, 1998, #1 from the series Two Sections of Time Topiary, Mérida, Yucatán Peninsula, Mexico, 2002, #2 from the series Two Sections of Time
Topiary, Mérida, Yucatán Peninsula, Mexico, 1998, #1 from the series Two Sections of Time Topiary, Mérida, Yucatán Peninsula, Mexico, 2002, #2 from the series Two Sections of Time
Eduardo Del Valle
Chromogenic color prints · 1998
Museum of Modern Art
Chicxulub Pueblo, Yucatán Peninsula, Mexico, 1998, #1 from the series Four Sections of Time Chicxulub Pueblo, Yucatán Peninsula, Mexico, 1999, #2 from the series Four Sections of Time Chicxulub Pueblo, Yucatán Peninsula, Mexico, 2002, #3 from the series Four Sections of Time Chicxulub Pueblo, Yucatán Peninsula, Mexico, 2003, #4 from the series Four Sections of Time
Chicxulub Pueblo, Yucatán Peninsula, Mexico, 1998, #1 from the series Four Sections of Time Chicxulub Pueblo, Yucatán Peninsula, Mexico, 1999, #2 from the series Four Sections of Time Chicxulub Pueblo, Yucatán Peninsula, Mexico, 2002, #3 from the series Four Sections of Time Chicxulub Pueblo, Yucatán Peninsula, Mexico, 2003, #4 from the series Four Sections of Time
Eduardo Del Valle
Chromogenic color prints · 1998
Museum of Modern Art
Rittertoni-De Räuber
Rittertoni-De Räuber
Jonathan Meese
Cut-and-pasted printed paper and cut-and-pasted chromogenic color prints with felt-tip pen, crayon, synthetic polymer paint, and pressure-sensitive tape on paperboard · 1998
Museum of Modern Art
Kopomá, Yucatan Peninsula, Mexico, 1996, #1 from the series Three Sections of Time Kopomá, Yucatan Peninsula, Mexico, 1998, #2 from the series Three Sections of Time Kopomá, Yucatan Peninsula, Mexico, 2002, #3 from the series Three Sections of Time
Kopomá, Yucatan Peninsula, Mexico, 1996, #1 from the series Three Sections of Time Kopomá, Yucatan Peninsula, Mexico, 1998, #2 from the series Three Sections of Time Kopomá, Yucatan Peninsula, Mexico, 2002, #3 from the series Three Sections of Time
Eduardo Del Valle
Chromogenic color prints · 1996
Museum of Modern Art
Tia, Amsterdam, the Netherlands, 14 November 1994, Tia, Amsterdam, the Netherlands, 23 June 1994
Tia, Amsterdam, the Netherlands, 14 November 1994, Tia, Amsterdam, the Netherlands, 23 June 1994
Rineke Dijkstra
Chromogenic color prints · 1994
Museum of Modern Art
The Most Beautiful Women in the World (for Parkett no. 37)
The Most Beautiful Women in the World (for Parkett no. 37)
Charles Ray
Nine chromogenic color prints · 1993
Museum of Modern Art
20.3.92
20.3.92
Gerhard Richter
Acrylic on chromogenic color print · 1992
Art Institute of Chicago
19.3.92
19.3.92
Gerhard Richter
Acrylic on chromogenic color print · 1992
Art Institute of Chicago
17.3.92
17.3.92
Gerhard Richter
Acrylic on chromogenic color print · 1992
Art Institute of Chicago
Gossip
Gossip
John Waters
Two chromogenic color prints · 1992
Museum of Modern Art
"We're working for peace between the automobile and nature," Via Sapori, Cecchignola, Rome
"We're working for peace between the automobile and nature," Via Sapori, Cecchignola, Rome
Joel Sternfeld
Chromogenic color prints (3) · 1990
Art Institute of Chicago
Variants
Variants
Penelope Umbrico
Sixteen chromogenic color prints · 1989
Museum of Modern Art
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