Database / Artworks
Artworks
The Bath
Félix Bracquemond
brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paper · 1895
Cleveland Museum of Art
The Bath
Félix Bracquemond
brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paper · 1895
Cleveland Museum of Art
Bar of the Café of the rue de Rome
Henri de Toulouse-Lautrec
Charcoal, heightened with white chalk, with stumping and erasing, on blue wove paper · 1876
Art Institute of Chicago
Presentation Drawing of "The Statue of Liberty Illuminating the World"
Frédéric Bartholdi
Charcoal, heightened with white chalk · 1875
The Metropolitan Museum of Art
Caricature of a Man
Étienne Carjat
Charcoal, heightened with white chalk, on tan wove paper, laid down on ivory wove paper · 1859
Art Institute of Chicago
Caricature of a Man
Étienne Carjat
Charcoal, heightened with white chalk, on pieced tan wove paper, laid down on ivory wove paper · 1848
Art Institute of Chicago
Scholar Sitting in a Chair
Jozef Israels
Charcoal, heightened with white chalk, on cream wove paper, laid down on woodpulp laminate board · 1844
Art Institute of Chicago
Stream and Trestle Bridge
William Turner
Charcoal, heightened with white chalk, on blue wove paper · 1798
Art Institute of Chicago
A Boy with a Lute
Giovanni Battista Piazzetta
black chalk and charcoal, heightened with white chalk on (faded) blue laid paper · 1740
National Gallery of Art
Head of a Man (recto); Head of a Woman (verso)
Jonathan Richardson
Charcoal, heightened with white chalk (recto), and charcoal (verso) on blue laid paper · 1710
Art Institute of Chicago
Head of a Man (recto); Head of a Woman (verso)
Jonathan Richardson
Charcoal, heightened with white chalk (recto), and charcoal (verso) on blue laid paper · 1710
Art Institute of Chicago
Head of a Man (recto); Head of a Woman (verso)
Jonathan Richardson, the elder
Charcoal, heightened with white chalk (recto), and charcoal (verso) on blue laid paper · 1710
Art Institute of Chicago
Study for Priest Bearing Crozier
Eustache Le Sueur
Charcoal, heightened with white chalk, on brown laid paper, laid down on ivory laid paper · 1637
Art Institute of Chicago
Crossed Hands (recto); Right Foot, Partially Covered by Drapery (verso)
Giacomo Cavedone, Italian
Charcoal, heightened with white chalk (recto and verso), on blue laid paper · 1610
Art Institute of Chicago
Ceiling Studies of a Prophet and a Putto Seen from Below
Giulio Cesare Procaccini
oiled black chalk or charcoal, heightened with white chalk on blue-green laid paper · 1597
National Gallery of Art
Reclining Male Nude, Foreshortened
Marco Tintoretto
Charcoal, heightened with white chalk, on blue laid paper (faded to bluish gray) · 1562
Art Institute of Chicago
Reclining Male Nude, Foreshortened
Domenico Tintoretto
Charcoal, heightened with white chalk, on blue laid paper (faded to bluish gray) · 1562
Art Institute of Chicago
Reclining Male Nude, Foreshortened
Domenico Tintoretto
Charcoal, heightened with white chalk, on blue laid paper (faded to bluish gray) · 1562
Art Institute of Chicago
Reclining Male Nude, Foreshortened
Tintoretto
Charcoal, heightened with white chalk, on blue laid paper (faded to bluish gray) · 1562
Art Institute of Chicago
Reclining Male Nude, Foreshortened
Jacopo Tintoretto
Charcoal, heightened with white chalk, on blue laid paper (faded to bluish gray) · 1562
Art Institute of Chicago