Database / Artworks

Artworks

3,250 records · Brush and brown wash
Various Sketches of the Madonna and Child (recto)
Various Sketches of the Madonna and Child (recto)
Paolo Veronese
pen and brown ink (iron gall) and brush and brown wash · 1575
Cleveland Museum of Art
Temple of Vesta, Tivoli
Temple of Vesta, Tivoli
Paul Bril (Antwerp, 1554 – Rome, 1626)
Pen and brown ink, with brush and brown wash, on cream laid paper, laid down on card · 1574
Art Institute of Chicago
Fairy Castle in Landscape
Fairy Castle in Landscape
Alfonso Parigi
Pen and brown ink with brush and brown wash, on tan laid paper, laid down on tan laid paper · 1574
Art Institute of Chicago
Fairy Castle in Landscape
Fairy Castle in Landscape
Alfonso Parigi
Pen and brown ink with brush and brown wash, on tan laid paper, laid down on tan laid paper · 1574
Art Institute of Chicago
Temple of Vesta, Tivoli
Temple of Vesta, Tivoli
Paul Bril
Pen and brown ink, with brush and brown wash, on cream laid paper, laid down on card · 1574
Art Institute of Chicago
Design for a Spandrel: A Roman Martyr and Two Putti–Saint Jude the Apostle
Design for a Spandrel: A Roman Martyr and Two Putti–Saint Jude the Apostle
Livio Agresti
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1573
Art Institute of Chicago
Spring (March)
Spring (March)
Christoph Maurer
Pen and black ink, with brush and brown wash, over traces of graphite on ivory laid paper, laid down on ivory laid paper · 1573
Art Institute of Chicago
Proposed Additions to an Octagonal Church
Proposed Additions to an Octagonal Church
Bernardino Sozi di Vincenzo, Italian
Pen and brown ink, brush and brown wash, black chalk on paper · 1573
Cooper Hewitt, Smithsonian Design Museum
Saint Paul Speaking before King Agrippa (Acts 26)
Saint Paul Speaking before King Agrippa (Acts 26)
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of black chalk · 1573
The Metropolitan Museum of Art
Study for the Resurrection
Study for the Resurrection
Santi di Tito
Pen and brown ink with brush and brown wash, heightened with lead white, with later addition in graphite at center, on blue laid paper, laid down on ivory laid paper · 1572
Art Institute of Chicago
Madonna and Child with Saints Elizabeth, John and Anne
Madonna and Child with Saints Elizabeth, John and Anne
Hans von Aachen
Pen and brownish-black ink, with brush and brown wash, heightened with touches of white gouache, on lunette-shaped tan laid paper · 1572
Art Institute of Chicago
Study for the Resurrection
Study for the Resurrection
Santi di Tito
Pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper · 1572
Art Institute of Chicago
Studies for a Rest on the Flight into Egypt
Studies for a Rest on the Flight into Egypt
Rutilio Manetti
Pen and brown ink, brush and brown wash, over red chalk (the faint sketch of Saint Joseph and the donkey at left background is entirely in red chalk) · 1571
The Metropolitan Museum of Art
Adam and Eve Mourning the Death of Abel
Adam and Eve Mourning the Death of Abel
Coxie, Michiel, I
Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk; framing lines in pen and brown ink, by the artist; incised for transfer; verso covered with red chalk for transfer · 1571
The Metropolitan Museum of Art
Holy Family in Joseph's Carpentry Shop
Holy Family in Joseph's Carpentry Shop
Jacopo da Empoli
Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on cream laid paper prepared with pink wash, laid down on cream wove paper · 1571
Art Institute of Chicago
Aeneas and His Companions Preparing Animals for Sacrifice
Aeneas and His Companions Preparing Animals for Sacrifice
Avanzino Nucci
Pen and brown ink with brush and brown wash, heightened with white gouache, over traces of black chalk, on blue brown paper, pieced and laid down on cream wove paper · 1571
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
The Prodigal Son
The Prodigal Son
Hans Bol
Pen and brown ink, brush and brown wash · 1570
The Metropolitan Museum of Art
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Studies for The Allegories of Love
Studies for The Allegories of Love
Paolo Veronese
Pen and brown ink, brush and brown wash · 1570
The Metropolitan Museum of Art
God the Father with Four Angels
God the Father with Four Angels
Jacopo Bertoia
Pen and brown ink, brush and brown wash, over traces of black chalk · 1569
The Metropolitan Museum of Art
Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso)
Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso)
Giorgio Vasari
Pen and brown ink, with brush and brown wash, on cream laid paper, squared in graphite and red chalk (recto and verso) · 1569
Art Institute of Chicago
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