Database / Artworks
Artworks
Cow
Johann Heinrich Roos
red chalk; framing lines in brush and black ink · 1650
Cleveland Museum of Art
Cow
Johann Heinrich Roos, German
red chalk; framing lines in brush and black ink · 1650
Cleveland Museum of Art
Cow
Johann Heinrich Roos
red chalk; framing lines in brush and black ink · 1650
Cleveland Museum of Art

Saint John the Evangelist in Meditation
Guercino
Pen and brush and black ink, with brush and gray wash, on cream wove paper · 1650
Art Institute of Chicago

Antwerp Blessed with Abundance
Theodoor van Thulden
red chalk and brush and black ink with brown and gray wash · 1648
National Gallery of Art

River God (recto); Sketches of Two Male Heads (verso)
Sébastien Bourdon
Pen and brown ink over red chalk (recto) and brush and black ink (verso) on ivory laid paper, edge mounted on off-white laid paper · 1636
Art Institute of Chicago

Venus and Adonis
Domenico Gargiuli (Micco Spadaro)
Pen and brush and black ink, on ivory laid paper, tipped on to ivory laid paper · 1632
Art Institute of Chicago

Hur in Chaldea
Peeters, Jan, I
Pen and brown ink with brush and black ink wash, over traces of black chalk on ivory laid paper · 1624
Art Institute of Chicago
The Idolatry of Solomon
Pietro da Cortona, Italian
Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink · 1622
Cleveland Museum of Art

Portrait Bust of a Man in a White Wig
Cornelius van Poelenburgh
Black chalk, heightened with white chalk and lead white (discolored), with brush and black ink, on blue laid paper · 1600
Art Institute of Chicago

Portrait Bust of a Man in a White Wig
Cornelis van Poelenburgh
Black chalk, heightened with white chalk and lead white (discolored), with brush and black ink, on blue laid paper · 1600
Art Institute of Chicago

Herodias Receiving the Head of Saint John the Baptist
Peter Paul Rubens
Black chalk, with brush and black ink, and gray and brown wash, heightened with lead white (partly discolored), on tan laid paper, laid down on blue laid paper · 1597
Art Institute of Chicago

Stellio Changed into a Lizard by Ceres
Leonard Bramer
brush and black ink with gray wash and white heightening · 1596
National Gallery of Art

Supper at Emmaus
Pieter de Witte
Pen and brown ink and brush and black ink wash, with opaque white watercolor, on tan laid paper prepared with yellow ocher, incised with graphite for transfer · 1590
Art Institute of Chicago

A Landsknecht
Peter Paul Rubens
Brush and black ink, with brown wash, over black chalk, on cream laid paper · 1590
Art Institute of Chicago

Head of a Bearded Man
Jost Amman
brush and black ink with white wash on blue prepared paper · 1572
National Gallery of Art

The Women's Bath
Hans Sebald Beham
Woodcut in black, with touches of brush and black ink, on cream laid paper · 1525
Art Institute of Chicago

Philosophers Discussing the Terrestrial Globe
Perino del Vaga
Pen and brown ink, with brush and brown wash, and brush and black ink, on blue laid paper, laid down on ivory laid card · 1521
Art Institute of Chicago

Sailboats on Sea
Unknown Artist
Brush and black ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1501
Art Institute of Chicago

Sailboats on Sea
Unknown Artist
Brush and black ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1501
Art Institute of Chicago

Sailboats on Sea
Unknown Artist
Brush and black ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1501
Art Institute of Chicago

Ornament with Two Bull's Heads (recto); Sketch of Geometric Borders (verso)
Jean-Charles Delafosse
Brush and black ink and gray wash, with traces of graphite (recto), and graphite (verso), on ivory laid paper · 1500
Art Institute of Chicago

Ornament with Two Bull's Heads (recto); Sketch of Geometric Borders (verso)
Jean-Charles Delafosse
Brush and black ink and gray wash, with traces of graphite (recto), and graphite (verso), on ivory laid paper · 1500
Art Institute of Chicago

Landsknecht Carrying a Barrel
Georg Lemberger
Brush and black ink, gray wash, heightened with white · 1490
The Metropolitan Museum of Art