Database / Artworks
Artworks
Three Kneeling Women
John Brown
Pen and black ink and brush and black ink wash, over black chalk, on ivory laid paper · 1770
Art Institute of Chicago
Design for Title Page, Cahier des Parasols Chinois
Jean-Baptiste Pillement, French
Pen and brown ink, brush and black ink, black chalk · 1770
Cooper Hewitt, Smithsonian Design Museum
Fantasy of Classical Sculpture
Jean-Charles Delafosse, French
Pen and brush and black ink, wash, black chalk on white laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy with Figures Bathing
Jean-Charles Delafosse, French
Pen and brush and black ink, wash on white laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the "Nouvelle iconologie historique"
Jean-Charles Delafosse, French
Pen and brush and black ink, wash, black chalk on white laid paper, pen and black ink framing lines · 1765
Cooper Hewitt, Smithsonian Design Museum
Tapestry Design: Apollo in his Chariot Led by Aurora
Fedele Fischetti, Italian
textile designs, drawing — pen and brush and black ink, gray wash on off-white laid paper, ruled border in pen and black ink, lined · 1760
Cooper Hewitt, Smithsonian Design Museum
Study for an Oval Ceiling Design, Apollo, Strength, and Love
Fedele Fischetti, Italian
interiors, drawing — pen and brush and black ink, gray wash, black chalk on off-white laid paper · 1760
Cooper Hewitt, Smithsonian Design Museum
Design for an Altar Painting, Saint Dominic and Saint Catherine of Siena Receiving the Rosary from the Virgin and Child
Fedele Fischetti, Italian
figures, drawing — pen and brush and black ink, gray wash on off-white laid paper · 1760
Cooper Hewitt, Smithsonian Design Museum
Design for the Frame of the Portrait of Frederick V, King of Denmark
Johann Esaias Nilson, German
Graphite, brush and black ink, wash on paper · 1760
Cooper Hewitt, Smithsonian Design Museum
The Paternal Blessing, or The Departure of Basile
Jean Baptiste Greuze
Pen and brown ink, brush and black ink, gray wash and graphite, with traces of scraping, on tan laid paper, laid down on tan wove board · 1759
Art Institute of Chicago
Adoration of the Shepherds
Francesco Salvator Fontebasso
Pen and brown ink and brush and black ink, with black and red ink washes, over black chalk, on ivory laid paper · 1750
Art Institute of Chicago
Two Chinoiseries
Jean Baptiste Pillement
brush and black ink with graphite and incised framing line · 1750
National Gallery of Art
Wooded Landscape with Stream
Thomas Gainsborough
Brush and black ink and gray wash, over graphite, on off-white laid paper, pieced along both vertical edges and laid down on cream laid paper · 1750
Art Institute of Chicago
Design for Two Trophies
Jean-Charles Delafosse, French
Black chalk, pen, brush and black ink on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a Frontispiece
Pierre Edme Babel, French
Pen and black ink, brush and black ink wash on paper · 1749
Cooper Hewitt, Smithsonian Design Museum
Forge of Vulcan
Domenico Mondo
Brush and black ink, with gray and white gouache, over pink-gray ground on buff laid paper · 1747
Art Institute of Chicago
David and Abigail
Domenico Mondo
Pen and brush and black ink, with brush and gray and white gouache and brown wash, over traces of black chalk, on cream laid paper · 1747
Art Institute of Chicago
Forge of Vulcan
Domenico Mondo
Brush and black ink, with gray and white gouache, over pink-gray ground on buff laid paper · 1747
Art Institute of Chicago
David and Abigail
Domenico Mondo
Pen and brush and black ink, with brush and gray and white gouache and brown wash, over traces of black chalk, on cream laid paper · 1747
Art Institute of Chicago
Design for an Escutcheon in Form of Sailboat, in Recueil Noveau de Differens Cartouches
Jacques de Lajoüe, French
ornament, print — pen and brush and black ink, wash, graphite on off-white laid paper · 1734
Cooper Hewitt, Smithsonian Design Museum
Design for an Escutcheon in Form of Boat with Sail, for Recueil Nouveau de Differens Cartouches
Jacques de Lajoüe, French
Pen and brush and black ink, wash, graphite on cream laid paper · 1734
Cooper Hewitt, Smithsonian Design Museum
The Fox and the Turkey Hens
Jean-Baptiste Oudry
brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown ink · 1733
Cleveland Museum of Art
The Fox and the Turkey Hens
Jean-Baptiste Oudry
brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown ink · 1733
Cleveland Museum of Art
The Fox and the Turkey Hens
Jean-Baptiste Oudry, French
brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown ink · 1733
Cleveland Museum of Art