Database / Artworks
Artworks
A Court Jester
Attilio Simonetti, Italian
Pen and brush and black ink on paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Man with Cap
Andrea Carlo Lucchesi
Watercolor, with brush and black ink, with traces of black chalk, on cream wove paper · 1877
Art Institute of Chicago
Three Men
Jean-Louis Forain
Pen and brush and black ink on paper · 1872
Art Institute of Chicago
Dancer Speaking to a Subscriber (recto); Man Between Two Policemen (verso)
Jean-Louis Forain
Brush and black ink (recto), and black crayon (verso), on cream laid paper · 1872
Art Institute of Chicago
In Church
Jean-Louis Forain
Pen and brush and black ink, on cream wove paper · 1872
Art Institute of Chicago
General Andre and Reinach
Jean-Louis Forain
Brush and black ink, on tan tracing paper · 1872
Art Institute of Chicago
Artist and Dealer
Jean-Louis Forain
Brush and black ink and gray wash, on ivory wove paper · 1872
Art Institute of Chicago
The Wedding Toilette
Jean-Louis Forain
Brush and black ink, on tan wove paper · 1872
Art Institute of Chicago
Sketches of Men and Horses
Jean-Louis Forain
Pen and brush and black ink, and black crayon, on ivory wove paper · 1872
Art Institute of Chicago
In the Yosemite Valley
Thomas Moran, American, b. Britain
Brush and black ink, gray wash and white gouache on cream-colored paper · 1872
Cooper Hewitt, Smithsonian Design Museum
Stormy Seas at Minot's Ledge Lighthouse
William Trost Richards, American
Brush and black ink, white gouache on wove paper, mounted · 1870
Cooper Hewitt, Smithsonian Design Museum
Room Leading to the Chapel, Knowle, Kent
Joseph Nash
Watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper · 1869
Art Institute of Chicago
Room Leading to the Chapel, Knowle, Kent
Joseph Nash
Watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper · 1869
Art Institute of Chicago
La Peri (Mythological Subject)
Moreau
Graphite, with brush and black ink, gray wash, and touches of gold metallic paint, heightened with traces of white gouache, on cream wove tracing paper, laid down on ivory wove paper · 1865
Art Institute of Chicago
Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865”
Édouard Manet
Brush and black ink and wash, over graphite, on ivory laid paper, pieced in the lower left · 1865
Art Institute of Chicago
La Peri (Mythological Subject)
Gustave Moreau
Graphite, with brush and black ink, gray wash, and touches of gold metallic paint, heightened with traces of white gouache, on cream wove tracing paper, laid down on ivory wove paper · 1865
Art Institute of Chicago
At the Banks of the Loire
Charles Nicolas Ransonnette, French
Graphite, brush and black ink and white heightening on apricot colored paper · 1860
Cooper Hewitt, Smithsonian Design Museum
Design for a Cabinet in the "Boulle" Style
Pagny, French
furniture, drawing — brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper · 1856
Cooper Hewitt, Smithsonian Design Museum
Design for an Emblem of the United States of America
Christian Schussele
brush and black ink with wash over graphite on paperboard · 1855
National Gallery of Art
To Each His Own
Jean-Louis Forain
brush and black ink on wove paper · 1852
National Gallery of Art
Sur le canape
Jean-Louis Forain
brush and black ink and brown wash on laid paper · 1852
National Gallery of Art
Comedie Parisienne
Jean-Louis Forain
graphite and brush and black ink on wove paper · 1852
National Gallery of Art
a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso)
Jean-Louis Forain
a) brush and black ink and graphite on wove paper
b) brush and black ink on wove paper · 1852
National Gallery of Art
Landscape with Windmill
Elizabeth Murray
Charcoal and stumping and scraping with brush and black ink on ivory wove paper tipped onto board · 1850
Art Institute of Chicago