Database / Artworks
Artworks

Maruru (Offerings of Gratitude), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper · 1893
Art Institute of Chicago

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893
Art Institute of Chicago

Pape moe
Paul Gauguin
Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper · 1893
Art Institute of Chicago

Madame V. Sleeping
Édouard Vuillard
brush and black ink · 1892
National Gallery of Art

At the Theatre
Édouard Jean Vuillard
Brush and black ink, with touches of graphite on tan wove paper · 1892
Art Institute of Chicago

Woman with Elaborate Coiffure
Imitator of Aubrey Vincent Beardsley
Pen and brush and black ink, over traces of graphite, on cream wove paper, laid down on ivory wove paper · 1892
Art Institute of Chicago

Woman Against Striped Wallpaper
Imitator of Aubrey Vincent Beardsley
Pen and brush and black ink, over traces of graphite, on buff wove paper, laid down on board · 1892
Art Institute of Chicago

Madame Réjane
Imitator of Aubrey Vincent Beardsley
Pen and brush and black ink, over traces of graphite, on cream wove paper, laid down on ivory wove paper · 1892
Art Institute of Chicago

Head of a Tahitian Woman
Paul Gauguin
Pen and brush and black ink, with green, blue, yellow and white gouache, over pen and brown ink and touches of graphite, on parchment · 1891
Art Institute of Chicago

Tahitians Fishing
Paul Gauguin
Brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper · 1891
Art Institute of Chicago

Interior, Fitzwilliam Museum
Joseph Pennell
brush and black ink with gray wash over graphite on wove paper · 1890
National Gallery of Art

We All Three Hugged and Kissed Each Other and Cried
William James Glackens
Black crayon and brush and black ink and gray wash, with charcoal and touches of blue crayon, corrected with white gouache, on cream wove paper, laid down on cream card · 1890
Art Institute of Chicago

Bust of a Woman in Profile (recto); Sketches of a Walking Figure and a Horse (verso)
Albert Marquet
Black pastel (recto), and brush and black ink (verso), on cream wove paper · 1890
Art Institute of Chicago

Landscape at Pont-Aven
Paul Gauguin
brush and black ink on brown textured wove paper · 1888
National Gallery of Art

Two Sketches of Reinach in the Arms of the Republic
Jean-Louis Forain
Colored crayons and brush and black ink, on ivory wove paper · 1888
Art Institute of Chicago

Virgilius the Sorcerer
Aubrey Beardsley
Pen and brush and black ink, over traces of graphite, on ivory wove paper, laid down on board · 1888
Art Institute of Chicago

Mlle. Andrée Bonnard and a Dog
Pierre Bonnard
Brush and black ink, gray wash, and graphite, with erasing on cream wove paper · 1887
Art Institute of Chicago

Woman Seated
William Merritt Chase, American
Brush and black ink on off-white wove paper · 1885
Cooper Hewitt, Smithsonian Design Museum

Present Aspect of Gaines's Mill, Looking East
Harry Fenn, American
Pen and brush and black ink, white gouache on off-white wove paper pasted on board · 1885
Cooper Hewitt, Smithsonian Design Museum

Au Théâtre Antoine
Édouard Vuillard
brush and black ink over graphite on brown paper · 1884
National Gallery of Art

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)
Pierre-Auguste Renoir
Black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream) · 1883
Art Institute of Chicago

Sketches of a Framed Riot Scene and of a Man (recto); Woman with a Bonnet (verso)
Jean-Louis Forain
Watercolor, with brush and black ink, and with black crayon border (recto), and black crayon (verso), on tan wove paper · 1882
Art Institute of Chicago

Two Women (recto); Sketch of Figures (verso)
Édouard Jean Vuillard
Brush and black ink, over touches of graphite (recto), and charcoal (verso), on ivory wove paper · 1881
Art Institute of Chicago

The Swallows
Félix Bracquemond
Pen and brush and black ink, with black chalk and graphite and touches of black Conté crayon, on tan wove paper · 1881
Art Institute of Chicago