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Artworks

630 records · Brush and black ink
The Card Game
The Card Game
Adolph Friedrich Erdmann von Menzel
Graphite and fabricated black chalk, with stumping, erasing, and scraping, with touches of brush and black ink, on cream wove paper, edge mounted on ivory wove card · 1899
Art Institute of Chicago
Sketches for a Natural History (Histoires naturelles) (recto); Rooster (verso)
Sketches for a Natural History (Histoires naturelles) (recto); Rooster (verso)
Pierre Bonnard
Brush and black ink with red pastel (recto), and brush and black ink (verso), offset on cream wove paper · 1899
Art Institute of Chicago
Courtyard of the Royal Palace, from Love of Three Orange
Courtyard of the Royal Palace, from Love of Three Orange
Boris Israelevich Anisfeld
Watercolor and gouache, with gold leaf, pen and black ink, and touches of brush and black ink, over graphite, varnished overall on off-white laid paper · 1899
Art Institute of Chicago
Sailboats
Sailboats
Henri de Toulouse-Lautrec
Brush and black ink and gray wash, on ivory wove paper · 1899
Art Institute of Chicago
Untitled Drawing for Frame Cartouche (Salamander)
Untitled Drawing for Frame Cartouche (Salamander)
Theodore Roussel
Brush and black ink, gold metallic ink, and watercolor on semi-transparent tan wove paper · 1899
Art Institute of Chicago
Untitled Drawing for Frame Cartouche (Plant Motif)
Untitled Drawing for Frame Cartouche (Plant Motif)
Theodore Roussel
Brush and black ink on semi-transparent tan wove paper · 1899
Art Institute of Chicago
Design for a Frame
Design for a Frame
Theodore Roussel
Pen and brush and black ink, with graphite and traces of white gouache on semi-transparent yellowish brown wove paper · 1899
Art Institute of Chicago
Lady Davina Lytton
Lady Davina Lytton
Arthur Ambrose McEvoy
Watercolor, with graphite and pen and brush and black ink, on cream watercolor paper · 1898
Art Institute of Chicago
Apres l'attentat, Juin '97
Apres l'attentat, Juin '97
Jean-Louis Forain
brush and black ink watercolor on wove paper · 1897
National Gallery of Art
Projet de Voyage
Projet de Voyage
Jean-Louis Forain
brush and black ink and colored washes on wove paper · 1897
National Gallery of Art
Elections Municipales
Elections Municipales
Jean-Louis Forain
brush and black ink with brown and gray wash on wove paper · 1897
National Gallery of Art
Before the Act
Before the Act
Laura Knight
Watercolor and pen and brush and black ink, on ivory wove paper · 1897
Art Institute of Chicago
The Wrestlers
The Wrestlers
Kees van Dongen
Watercolor, gouache and brush and black ink, on cream wove paper, laid down on cream wove card · 1897
Art Institute of Chicago
The Devil (Le Diable)
The Devil (Le Diable)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Apollonius
Apollonius
Odilon Redon
brush and black ink on buff wove paper · 1896
National Gallery of Art
The Shadow (L'Ombre)
The Shadow (L'Ombre)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices)
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
The Queen of Sheba (La Reine de Saba)
The Queen of Sheba (La Reine de Saba)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Young Man (Jeune Homme)
Young Man (Jeune Homme)
Odilon Redon
brush and black ink on laid paper · 1896
National Gallery of Art
Study
Study
Henri de Toulouse-Lautrec
Brush and black ink, with black Conté crayon, heightened with touches of white gouache, on tan tracing paper, laid down on ivory wove paper · 1895
Art Institute of Chicago
Coquelin Cadet in Character
Coquelin Cadet in Character
Édouard Jean Vuillard
Gouache, with touches of brush and black ink, over traces of graphite, on white wove paper · 1894
Art Institute of Chicago
The Harpist
The Harpist
Henri-Gustave Jossot
Brush and black ink on cream wove paper · 1894
Art Institute of Chicago
Breton Peasants
Breton Peasants
Paul Gauguin
Brush and black ink on cream wove paper · 1894
Art Institute of Chicago
Te faruru (Here We Make Love), from the Noa Noa Suite
Te faruru (Here We Make Love), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan) · 1894
Art Institute of Chicago
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