Database / Artworks
Artworks

Study for The Rock
Peter Blume
Charcoal and brown chalk, with stumping, on tan tracing paper, tipped onto off-white wove paper · 1943
Art Institute of Chicago

Study for The Rock
Peter Blume
Charcoal with brown chalk, with stumping on ivory wove paper, tipped on tannish-gray wove paper · 1933
Art Institute of Chicago

Untitled (Female Nude)
Sylvia Shaw Judson
Brown chalk and graphite on brown wove paper, laid down on dark gray wove card · 1917
Art Institute of Chicago

Untitled (Female Nude)
Sylvia Shaw Judson
Brown chalk on brown wove paper, tipped to dark gray wove card · 1917
Art Institute of Chicago

Untitled (Study of a Standing Female Nude)
Sylvia Shaw Judson
Brown chalk on brown wove paper · 1917
Art Institute of Chicago

Untitled (Female Nude; Outside); Untitled (Bust Studies; Inside)
Sylvia Shaw Judson
Brown chalk (outside) and graphite and black chalk (inside) on brown wove paper · 1917
Art Institute of Chicago

Untitled (Studies of Two Standing Female Nudes)
Sylvia Shaw Judson
Brown chalk on tan wove paper · 1917
Art Institute of Chicago

Untitled (Landscape with Building)
Sylvia Shaw Judson
Brown chalk on brown wove paper · 1917
Art Institute of Chicago

Self-Portrait
Gino Severini
Charcoal and brown chalk with stumping and erasing on ivory laid paper · 1916
Art Institute of Chicago

Self-Portrait (recto); Man in a Cap (verso)
Jean-Louis Forain
Black pastel (recto), and red chalk with touches of brown chalk (verso), on tan laid paper · 1872
Art Institute of Chicago

Seated Girl with Muff
Kate Greenaway
Graphite, with stumping, and brush and brown chalk wash, on ivory wove paper · 1866
Art Institute of Chicago

Woman with Lyre
Samuel De Wilde
Charcoal, with touches of red chalk and brown chalk, on cream wove paper · 1811
Art Institute of Chicago

Woman with Lyre
Samuel De Wilde
Charcoal, with touches of red chalk and brown chalk, on cream wove paper · 1811
Art Institute of Chicago

Ruins of the Château of Becoiseau, near Mortcerf (seine-et-Marne)
Johann Georg Wille
Brown chalk and brush and-brown wash. Framing lines in pen and brown ink. · 1784
The Metropolitan Museum of Art

Design for an Altar
Filippo Marchionni, Italian
architecture, drawing — pen and brown ink, brush and gray wash, black chalk, streak of brown chalk on white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum

Bayard Refusing the Presents of His Hostess, in Brescia
Anne-Louis Girodet de Roussy-Trioson
Black and brown chalk, with stumping, and pen and brown ink, heightened with white goauche, on off-white laid paper · 1779
Art Institute of Chicago

Pastoral Scene
Jean Baptiste Pillement
Black chalk, with stumping, and brown chalk, on ivory laid paper, discolored to tan, laid down on cream wove card · 1771
Art Institute of Chicago

Venus Commanding Vulcan to Make Arms for Aeneas
François Boucher
Various brown chalks, with touches of brush and brown chalk wash, heightened with white chalk, on cream laid paper, prepared with a light brown wash ground, laid down on heavy buff laid paper · 1767
Art Institute of Chicago

Aurora and Cephalus
François Boucher
brown chalk with stumping on light beige laid paper, with later framing line in brown ink · 1765
National Gallery of Art

Study of a Groom
Jean Baptiste Greuze
Black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper · 1755
Art Institute of Chicago

Two Russians Seated in Landscape
Jean Baptiste Le Prince
brown chalk on beige laid paper · 1734
National Gallery of Art

Left Hand of Moses
Michelangelo
Red chalk counterproof, with traces of brown chalk, on cream laid paper · 1725
Art Institute of Chicago

Left Hand of Moses
Michelangelo Buonarroti
Red chalk counterproof, with traces of brown chalk, on cream laid paper · 1725
Art Institute of Chicago

Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco
Brush and brown gouache and brush and brown wash, with touches of red and brown chalk, heightened with white chalk, over black chalk, on blue laid paper (discolored to pale brownish-gray) · 1720
Art Institute of Chicago