Database / Artworks
Artworks
Die Seefahrer (The Seafarer) (headpiece, page 10) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Spitzköpfig Kommt Er... (With a Pointed Head He Rises) (headpiece, page 13) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Der Garten der Irren (The Garden of the Mad) (headpiece, page 12) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Umbra Vitae (headpiece, page 1) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Der Krieg (The War) (headpiece, page 3) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Die Morgue (The Morgue) (headpiece, page 5) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Liegender Rückenakt (Reclining Nude) (tailpiece, table of contents) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper
· 1924
National Gallery of Art
Titelblatt (title page) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut, printed in red and black, on wove paper from a bound volume with 50 woodcuts (including cover and front and back endpapers) · 1924
National Gallery of Art
Titelvignette (Title vignette) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper · 1924
National Gallery of Art
Vorsatz (front endpapers) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut on pink laid paper from a bound volume with 50 woodcuts (including cover and front and back endpapers) · 1924
National Gallery of Art
Bucheinband (cover) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut, printed in black and green, on yellow cloth from a bound volume with 50 woodcuts (including cover and front and back endpapers) · 1924
National Gallery of Art
Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)
Ernst Ludwig Kirchner
bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper · 1924
National Gallery of Art
The 26 Etchings (Second Venice set)
James McNeill Whistler
Bound volume of etchings and drypoints printed from original cancelled copper plates · 1924
Art Institute of Chicago
Löwe (Lion) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
René Beeh
lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint · 1920
National Gallery of Art
Badende (Bathers) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
Otto Mueller
lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint · 1920
National Gallery of Art
Riesenblattlaus (Giant Aphid) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
Paul Klee
lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint · 1920
National Gallery of Art
Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)
Lovis Corinth
lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint · 1920
National Gallery of Art
Die Kalinkin-Brücke, bei der es nachts spukt (The Kalinkin Bridge Which is Haunted at Night) (plate 12) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art
Akaki wird zu Grabe getragen (Akaki Is Carried to the Grave) (plate 11) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art
Akaki im Sarg aus Fichtenholz (Akaki in a Coffin of Spruce) (plate 10) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art
Akaki in Fieberphantasien (Akaki in a Fever Delirium) (plate 9) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art
Zwei gespenstische Hände greifen nach etwas (Two Ghostly Hands Grasp for Something) (plate 8) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art
Akaki trägt den Mantel das erstemal auf der Straße (Akaki Wears the Coat on the Street for the First Time) (plate 6) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art
Akaki hat in einer Auslage das Bild einer hübschen Frau gesehen (Akaki Saw a Picture of a Pretty Woman in a Display) (plate 7) from Der Mantel (The Coat)
Walter Gramatté
lithograph from a bound volume with 12 lithographs and one relief print on laid JW Zanders paper · 1919
National Gallery of Art