Database / Artworks

Artworks

18 records · Book cover
The American War
The American War
Harrell Fletcher
Book cover · 2005
Museum of Modern Art
The German (Part Two)
The German (Part Two)
Michaël Borremans
Oil, watercolor, and pencil with synthetic polymer sheet overlay on book cover · 2002
Museum of Modern Art
Vowel #98 (O)
Vowel #98 (O)
Edward Ruscha
Acrylic paint on book cover · 1996
Tate
Vowel #64 (E)
Vowel #64 (E)
Edward Ruscha
Acrylic paint on book cover · 1996
Tate
Wall Display
Wall Display
Thomas Hirschhorn
Thirty part assemblage of felt-tip pen, ballpoint pen, and acrylic paint, with pressure-sensitive tape, cut-and-pasted printed paper, postcards, paper plates, abrasive pads, and instant prints on cardboard, wood, book covers, and pressboard · 1988
Museum of Modern Art
Gesammelte Werke, Band 6, Bok 3C, Vorzugsausgabe
Gesammelte Werke, Band 6, Bok 3C, Vorzugsausgabe
Dieter Roth
Artist's book cover · 1971
Museum of Modern Art
Cover from Gesammelte Werke, Band 6, Bok 3c
Cover from Gesammelte Werke, Band 6, Bok 3c
Dieter Roth
Multiple of two croissants mounted on book cover with acrylic additions · 1971
Museum of Modern Art
Tkanina Polska (Polish Fabric)
Tkanina Polska (Polish Fabric)
Anna Śledziewska
Illustrated book with Jacquard fabric book cover · 1959
Museum of Modern Art
Text from Histoire naturelle
Text from Histoire naturelle
Pablo Picasso
Text pages from the previously bound text of 32 aquatint plates, text pages and, book cover · 1942
Art Institute of Chicago
Cover to Histoire naturelle
Cover to Histoire naturelle
Pablo Picasso
Book cover for the previously bound text of 32 aquatint plates and text pages · 1942
Art Institute of Chicago
La Lithographie originale en couleurs
La Lithographie originale en couleurs
Pierre Bonnard
Lithographed book cover · 1898
Museum of Modern Art
Seated Figure and a Cow; Three Studies of a Child's Head
Seated Figure and a Cow; Three Studies of a Child's Head
Paul Gauguin
graphite, pen and brown ink on end papers of sketchbook cover · 1884
National Gallery of Art
Plate Two, from The Analysis of Beauty
Plate Two, from The Analysis of Beauty
William Hogarth
Etching and engraving in black on cream laid paper (now split in two, with the left side laid down on back book cover and the right side in two parts) · 1756
Art Institute of Chicago
Plate One, from The Analysis of Beauty
Plate One, from The Analysis of Beauty
William Hogarth
Etching and engraving in black on cream laid paper (now in two parts, with the right side laid down on front book cover) · 1753
Art Institute of Chicago
Man of Sorrows
Man of Sorrows
Unknown Artist
Woodcut hand-colored with brush and watercolor on cream laid paper, edge-mounted to vellum, laid down on wooden book cover covered in hand-tooled leather with tooled metal hinges · 1460
Art Institute of Chicago
Man of Sorrows
Man of Sorrows
Unknown Artist
Woodcut hand-colored with brush and watercolor on cream laid paper, edge-mounted to vellum, laid down on wooden book cover covered in hand-tooled leather with tooled metal hinges · 1460
Art Institute of Chicago
Man of Sorrows
Man of Sorrows
Unknown Artist
Woodcut hand-colored with brush and watercolor on cream laid paper, edge-mounted to vellum, laid down on wooden book cover covered in hand-tooled leather with tooled metal hinges · 1460
Art Institute of Chicago
Man of Sorrows
Man of Sorrows
Unknown Urhobo Artist
Woodcut hand-colored with brush and watercolor on cream laid paper, edge-mounted to vellum, laid down on wooden book cover covered in hand-tooled leather with tooled metal hinges · 1460
Art Institute of Chicago