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Artworks

13 records · Blue-green laid paper
A la pintura: White 7-9
A la pintura: White 7-9
Robert Motherwell
Blue-green laid paper · 1968
Art Institute of Chicago
Claude Renoir Turned Three-Quarters to the Left
Claude Renoir Turned Three-Quarters to the Left
Pierre-Auguste Renoir
Soft ground etching on blue-green laid paper · 1903
Art Institute of Chicago
Kneeling in an Armchair
Kneeling in an Armchair
Mary Cassatt
drypoint on blue-green laid paper · 1898
National Gallery of Art
The Sickly Cryptogam
The Sickly Cryptogam
Charles Méryon
Etching with plate tone on blue-green laid paper with violet and red fibres · 1860
Art Institute of Chicago
The Two Cows
The Two Cows
Jean-François Millet
Etching and drypoint in reddish-brown ink on blue-green laid paper · 1842
Art Institute of Chicago
Flowers
Flowers
Ann
Color etching from two plates inked à la poupée on blue-green laid paper · 1796
Art Institute of Chicago
Flowers
Flowers
Anne Allen
Color etching from two plates inked à la poupée on blue-green laid paper · 1796
Art Institute of Chicago
Flowers
Flowers
Anne Allen
Color etching from two plates inked à la poupée on blue-green laid paper · 1796
Art Institute of Chicago
Father Pepe Preaching to Sailors
Father Pepe Preaching to Sailors
Pier Leone Ghezzi
Pen and brown ink, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper and edge-mounted on pale blue-green laid paper · 1694
Art Institute of Chicago
Father Pepe Preaching to Sailors
Father Pepe Preaching to Sailors
Pier Leone Ghezzi
Pen and brown ink, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper and edge-mounted on pale blue-green laid paper · 1694
Art Institute of Chicago
Studies of a Bear
Studies of a Bear
Leonard Bramer
brown wash with blue gouache over black chalk on blue-green laid paper, inlaid in old album page · 1620
National Gallery of Art
Ceiling Studies of a Prophet and a Putto Seen from Below
Ceiling Studies of a Prophet and a Putto Seen from Below
Giulio Cesare Procaccini
oiled black chalk or charcoal, heightened with white chalk on blue-green laid paper · 1597
National Gallery of Art
Standing Man Seen From Behind Cutting Bread
Standing Man Seen From Behind Cutting Bread
Tintoretto
Pen and brown ink, with brush and brown wash, over black chalk, on blue-green laid paper, laid down on ivory laid paper · 1580
Art Institute of Chicago