Database / Artworks
Artworks
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Vittore Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
Joachim and the Angel
Albrecht Dürer
woodcut on blue laid paper; laid down · 1504
National Gallery of Art
Shepherd Carving an Inscription on Tree Trunk with Figures and Sheep in Background
Agostino Tassi
Pen and brown ink, with brush and brown wash, with traces of graphite, on blue laid paper (faded to brown), laid down on ivory laid paper · 1500
Art Institute of Chicago
Virgin and Child
Giovanni Bellini
Pen and brown ink, and brush and brown wash, on blue laid paper, edge mounted to cream wove card · 1500
Art Institute of Chicago
Solomon Receiving the Queen of Sheba
Cesare Rossetti
Pen and gray ink with brush and gray wash, heightened with lead white, with traces of red watercolor, on blue laid paper · 1500
Art Institute of Chicago
Conversion of St. Paul (recto); Man Seen from Back (verso)
Giovanni Antonio da Pordenone
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized) (recto), and black chalk and touches of red chalk (verso), on blue laid paper · 1500
Art Institute of Chicago
Wine Harvest
Tintoretto
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, tipped onto card · 1500
Art Institute of Chicago
The Betrothal of the Virgin
Albrecht Dürer
woodcut on blue laid paper · 1471
National Gallery of Art
Lit à la Romaine
Pierre Ranson, French
print — etching and engraving on light blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Design for Censer and Incense Holder with Alternative Suggestions
Luigi Righetti, Italian
metalwork, drawing — pen and black ink, brush and yellow, brown wash, graphite on light blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Muzeo Scevola before Porsenna
Felice Giani, Italian
figures, drawing — pen and brown ink on blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Lit à 4 colonnes surmonte d’un baldaquin a 3 dossiers vu de face
Pierre Ranson, French
print — etching and engraving on blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Detail from a Doctor's Engraved Thesis (Personification of Knowledge)
Johann Wolfgang Baumgartner, Austro–German
drawing — black chalk, pen and black ink, brush and ink wash on gray-blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy: A Circular Temple on a Truncated Pyramid
Louis-Joseph Le Lorrain, French
Brush and gray and brown wash, over black chalk on off-white laid paper with additions at top and bottom, lined with cardboard and border of blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Hector's Farewell (Addio di Ettore a Andromaca)
Felice Giani, Italian
Pen and brown ink, brush and brown wash, charcoal on light blue laid paper
Cooper Hewitt, Smithsonian Design Museum