Database / Artworks
Artworks
Seated Prophet or Evangelist Writing
Giuseppe Porta, called Giuseppe Salviati
Pen and brown ink and brush and brown wash, with traces of black chalk, heightened with white gouache, on blue laid paper, laid down on cream laid card · 1545
Art Institute of Chicago
Mucius Scaevola
Antonio Campi
Woodcut in black ink on blue laid paper · 1545
Art Institute of Chicago
Perseus Holding the Head of Medusa, with Pegasus in the Background
Paolo Farinati
Brush and blue ink and wash, with traces of black chalk, on blue laid paper · 1544
Art Institute of Chicago
Allegory of Eternity
Giorgio Vasari
Pen and brown ink, brush and brown wash, over black chalk, heightened with white gouache, on blue laid paper, squared for transfer in red chalk · 1544
Art Institute of Chicago
Perseus Holding the Head of Medusa, with Pegasus in the Background
Paolo Farinati
Brush and blue ink and wash, with traces of black chalk, on blue laid paper · 1544
Art Institute of Chicago
Half-length Sketch of Bearded Man (Jupiter?)
Battista Franco Veneziano
Pen and brown ink on cream laid paper, tipped onto blue laid paper · 1540
Art Institute of Chicago
Last Supper
Marco Tintoretto
Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper · 1538
Art Institute of Chicago
Last Supper
Domenico Tintoretto
Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper · 1538
Art Institute of Chicago
Last Supper
Domenico Tintoretto
Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper · 1538
Art Institute of Chicago
Last Supper
Tintoretto
Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper · 1538
Art Institute of Chicago
The Last Judgment
Tintoretto
Pen and brown ink, with gray gouache, over black chalk, heightened with lead-white gouache (discolored), on blue laid paper, pieced, and laid down on ivory laid paper · 1538
Art Institute of Chicago
The Descent from the Cross
Federico Barocci
black with stumping, heightened with white chalk on blue laid paper, partially incised for transfer · 1535
National Gallery of Art
The Adoration of the Shepherds
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper · 1533
Art Institute of Chicago
Dead Christ Supported by Holy Women and Angels
Orsi
Pen and brown ink on blue laid paper, laid down on ivory laid paper · 1531
Art Institute of Chicago
Studies for the Virgin and Child (recto)
Camillo Boccaccino
black chalk with white heightening on blue laid paper · 1527
National Gallery of Art
Christ Among the Doctors
Lambert Lombard
Pen and brown ink and brush and blue wash, heightened with lead white (partly discolored), on blue laid paper (faded), laid down on ivory laid paper · 1526
Art Institute of Chicago
Roman Soldiers Arresting Saint Peter (?)
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on blue laid paper · 1525
Art Institute of Chicago
Philosophers Discussing the Terrestrial Globe
Perino del Vaga
Pen and brown ink, with brush and brown wash, and brush and black ink, on blue laid paper, laid down on ivory laid card · 1521
Art Institute of Chicago
Male Head and Sketch of Right Hand Holding Stylus
Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago
Male Head and Sketch of Right Hand Holding Stylus
Antonio Allegri Da Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago
The Adoration of the Magi
Biagio Pupini
pen and brown ink with brown and gray wash, heightened with white gouache on blue laid paper · 1520
National Gallery of Art
Male Head and Sketch of Right Hand Holding Stylus
Antonio da Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago
Story of Niobe: Youth with Horse; Worshippers
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), and graphite, on blue laid paper (faded to brown) · 1519
Art Institute of Chicago
Story of Niobe: Worshippers; Latona
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), and graphite, on blue laid paper, laid down on cream wove paper · 1519
Art Institute of Chicago