Database / Artworks
Artworks

Untitled from 1999
Jannis Kounellis
One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999
Museum of Modern Art

Plate (page 27) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Frontispiece from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 35) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 17) from La Rose séparée
Enrique Zañartu
Etching from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Tailpiece (page 39) from La Rose séparée
Enrique Zañartu
Blind embossing from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 43) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 49) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Tailpiece (page 46) from La Rose séparée
Enrique Zañartu
Blind embossing from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

La Rose séparée
Enrique Zañartu
Illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (folio 19) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Histoire des rechutes
Enrique Zañartu
Illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

In-text plate (folio 11 verso) from Histoire des rechutes
Enrique Zañartu
Engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 4) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

In-text plate (folio 8 verso) from Histoire des rechutes
Enrique Zañartu
Engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 16 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 13 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Preface, from Wordswordswords
Edwin Schlossberg
Letterpress in red and blind embossing from one plate on ivory wove paper, folded · 1967
Art Institute of Chicago

Repose
Alena Kučerová
Etching with blind embossing · 1967
Museum of Modern Art

Untitled from Zero
Günther Uecker
Blind embossing from an illustrated book of texts and three embossings · 1966
Museum of Modern Art

We The People
Betye Saar
Blind embossing · 1965
Museum of Modern Art

Four Systems (1st and 4th) from Notes on Sound
Romas Viesulas
One from a portfolio of twelve blind embossings (including title page and colophon) · 1965
Museum of Modern Art

Core from Notes on Sound
Romas Viesulas
One from a portfolio of twelve blind embossings (including title page and colophon) · 1965
Museum of Modern Art

Eulogy to D. from Notes on Sound
Romas Viesulas
One from a portfolio of twelve blind embossings (including title page and colophon) · 1965
Museum of Modern Art