Database / Artworks
Artworks
Scene 14 (plate, folio 45) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 18 (plate, folio 57) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 33 (plate, folio 102) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 8 (plate, folio 27) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 15 (plate, folio 48) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 10 (plate, folio 33) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 13 (plate, folio 42) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 7 (plate, folio 24) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 16 (plate, folio 51) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Livingston Fairbank Jr. House, Lake Forest, Illinois, Exterior Perspectives
Edward Dupaquier Dart
Diazo print: black pencil details and changes added · 1955
Art Institute of Chicago
Deer Isle, Maine, probably Movement No. 12—Boats and Pertaining Thereto
John Marin
Watercolor with black pencil on moderately thick, moderately textured, off-white wove paper (top and right edges trimmed) · 1927
Art Institute of Chicago
The Pine Tree, Small Point, Maine
John Marin
Watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame · 1926
Art Institute of Chicago
Nude Torso
Charles Sheeler
Graphite and black pencil, with stumping and erasing, on ivory wove paper, laid down on off-white wove paper · 1903
Art Institute of Chicago
The Driveway
Camille Pissarro
black pencil on wove paper · 1895
National Gallery of Art
Crowning of a Prince
Jehan Georges Vibert
Brush and brown ink and brown wash, with black pencil and graphite, heightened with touches of white gouache, on tan wove paper · 1860
Art Institute of Chicago
Crowning of a Prince
Jehan Georges Vibert, French
Brush and brown ink and brown wash, with black pencil and graphite, heightened with touches of white gouache, on tan wove paper · 1860
Art Institute of Chicago
Untitled
Félicien Rops
Colored pencil and graphite (recto) and black pencil (verso) on tan laid paper, tipped onto tan wove paper · 1853
Art Institute of Chicago
Archway Leading to Grammar School, Bristol
Henry Stacy Marks
Graphite and black pencil on tan wove paper · 1844
Art Institute of Chicago
Tullia Driving Her Chariot over the Body of Her Father
Ciro Ferri
Pen and brown ink, brown wash, over black pencil; squared in black chalk. · 1652
The Metropolitan Museum of Art
Tullia Driving Her Chariot over the Body of Her Father
Ciro Ferri
Pen and brown ink, brown wash, over black pencil; squared in black chalk. · 1652
The Metropolitan Museum of Art